Looking for a new project management tool can be a big struggle, as it’s not always easy to find one that works for you.
Wick Editor, a free, online and open-sourced design suite, provides more possibilities for tech fanatics to create animations, games and art with user-friendly coding.
What if we, as artists, could learn to use AI to remove the barriers between gender, race, and social status? Here are 3 takeaways for arts managers to consider when thinking of how to better engage audiences and communities within their institutions through AI.
Image Credit: Dinkins, Stephanie. "Project al-Khwarizmi (PAK)." Dinkins Studio. https://www.stephaniedinkins.com/project-al-khwarizmi.html.
Part I of a two part series on the issues surrounding AI and bias, the role the arts play in addressing these issues.
Chrome Music Lab is a fun, easy to navigate, tool which can help music educators engage children and music novices alike.
The newest installment of the AMT-Lab podcast series is a conversation between contributor Jana Fredricks and Kristen Kurland of Carnegie Mellon University. They discuss the use of geographic information systems in fundraising for arts organizations.
Combining geographic information, multimedia content, and text narrative, Esri’s Story Maps is a tool that can support an organization with seeking to use place-based storytelling.
Podcasts aren’t just for news and politics anymore. Arts and culture podcasts represent a small but growing niche in the field as an engaging channel for sharing stories, exploring industry trends, and offering a behind-the-scenes perspective into the different arts disciplines. For managers keen on adding more arts and culture content to their playlists and seeing how other arts organizations are leveraging the podcast medium, here’s a list of shows to check out.
How does Internet2 actually work? Christine Senavsky spoke with a member of the CMU network team to clarify how the technology functions in practical terms.
One of the most challenging aspects of publicly exhibited works is their conservation, both in the physical and digital sense. One of the most challenging aspects of publicly exhibited works is their conservation. These works are often forced to directly withstand the elements, but also must be protected from graffiti and defacement. There have been examples of conservation issues forcing a public art office to remove an artwork, and Danielle Brazell from the Office of Cultural Affairs in LA described having to de-accession a work that could not be salvaged due to weather-related damage. The Cambridge Arts Council has worked to develop a streamlined system to mitigate problems with a pre-emptive strategy.