As technology continues to reshape the arts and entertainment landscape, our readers and listeners have shown a clear appetite for understanding these transformations. From AI's role in creative processes to the evolution of virtual reality and streaming, this year's most popular content reveals the questions on everyone's minds.
This article explores the rise of virtual production (VP) and its impact on contemporary filmmaking through the use of large-scale LED volumes that merge physical sets with real-time digital environments. Using high-profile productions such as The Mandalorian and 1899 as case studies, it examines how VP reshapes creative workflows across departments, redistributes labor rather than eliminating it, and demands new hybrid skill sets from designers, location managers, and technicians. The piece also addresses the role of labor unions and training programs in adapting to emerging technologies, alongside the economic challenges of scalability, access, and high upfront costs. Ultimately, the article positions virtual production as a transformative - yet uneven - evolution in the entertainment industry, emphasizing the need for equitable training and infrastructure as VP becomes a lasting mode of production.
This article explores how extended reality (XR) - including augmented, mixed, and virtual reality - is reshaping acting training by layering immersive technologies onto long-established methods like Stanislavski-based technique and the Method. Drawing on examples from Basrah to Juilliard and Odin Teatret, the piece shows how XR can deepen character work, expand dramaturgical research, and personalize feedback through data-driven simulations. At the same time, it raises urgent legal, ethical, and social questions around biometric data, FERPA and HIPAA protections, digital Blackface, and harassment in virtual spaces. Rather than treating XR as a magic solution, the article argues that thoughtful pedagogy, clear institutional policies, and equity-minded design are essential if these tools are to support - not replace - human-centered theatre education.
This article analyzes Ireland’s emerging position as a global cultural policy case study, focusing on the Basic Income for the Arts (BIA) program and its place within the national framework Culture 2025. While Ireland’s consensus-driven political system, strong arts advocacy networks, and history of support for artist income have enabled an ambitious, research-oriented basic income pilot, the article highlights deeper tensions within cultural policymaking. Drawing on Stephen Hadley’s concept of “cultural policy realism,” it argues that Ireland’s policies—despite their novelty—remain rooted in traditional, instrumentalist views of culture as an economic engine and national branding tool. By contrasting democratization of culture with cultural democracy, the piece situates Ireland’s model between innovation and reversion, emphasizing the need for sustained experimentation, critical evaluation, and more genuinely democratic approaches to cultural support.
This study advances Part II by translating Scopely’s strategy into an execution plan across three tracks - NPC innovation, intelligent monetization, and ethical LiveOps - supported by new evidence from a 1,159-response consumer survey, nine expert interviews (developers, influencers, and experiential professionals), and secondary industry research. Part I established the market context for AI’s disruptive potential and identified three priorities: live operations evolution, commerce optimization, and advanced player analytics. The goal of this phase is to pinpoint the highest-leverage AI applications that deepen gameplay engagement, convert payment resistance through demonstrated value, and safeguard community trust. Accordingly, Part II outlines actionable playbooks (context-aware NPCs and adaptive narratives), platform tactics (purchase-aligned mobile personalization and cross-play integration), and operational models (behavior-based matchmaking and transparency protocols) designed to drive scalable, technology-led growth while preserving the integrity of shared human play.
As technology continues to reshape the arts and entertainment landscape, our readers and listeners have shown a clear appetite for understanding these transformations. From AI's role in creative processes to the evolution of virtual reality and streaming, this year's most popular content reveals the questions on everyone's minds.
This article explores the rise of virtual production (VP) and its impact on contemporary filmmaking through the use of large-scale LED volumes that merge physical sets with real-time digital environments. Using high-profile productions such as The Mandalorian and 1899 as case studies, it examines how VP reshapes creative workflows across departments, redistributes labor rather than eliminating it, and demands new hybrid skill sets from designers, location managers, and technicians. The piece also addresses the role of labor unions and training programs in adapting to emerging technologies, alongside the economic challenges of scalability, access, and high upfront costs. Ultimately, the article positions virtual production as a transformative - yet uneven - evolution in the entertainment industry, emphasizing the need for equitable training and infrastructure as VP becomes a lasting mode of production.
This article explores how extended reality (XR) - including augmented, mixed, and virtual reality - is reshaping acting training by layering immersive technologies onto long-established methods like Stanislavski-based technique and the Method. Drawing on examples from Basrah to Juilliard and Odin Teatret, the piece shows how XR can deepen character work, expand dramaturgical research, and personalize feedback through data-driven simulations. At the same time, it raises urgent legal, ethical, and social questions around biometric data, FERPA and HIPAA protections, digital Blackface, and harassment in virtual spaces. Rather than treating XR as a magic solution, the article argues that thoughtful pedagogy, clear institutional policies, and equity-minded design are essential if these tools are to support - not replace - human-centered theatre education.
This article analyzes Ireland’s emerging position as a global cultural policy case study, focusing on the Basic Income for the Arts (BIA) program and its place within the national framework Culture 2025. While Ireland’s consensus-driven political system, strong arts advocacy networks, and history of support for artist income have enabled an ambitious, research-oriented basic income pilot, the article highlights deeper tensions within cultural policymaking. Drawing on Stephen Hadley’s concept of “cultural policy realism,” it argues that Ireland’s policies—despite their novelty—remain rooted in traditional, instrumentalist views of culture as an economic engine and national branding tool. By contrasting democratization of culture with cultural democracy, the piece situates Ireland’s model between innovation and reversion, emphasizing the need for sustained experimentation, critical evaluation, and more genuinely democratic approaches to cultural support.
This study advances Part II by translating Scopely’s strategy into an execution plan across three tracks - NPC innovation, intelligent monetization, and ethical LiveOps - supported by new evidence from a 1,159-response consumer survey, nine expert interviews (developers, influencers, and experiential professionals), and secondary industry research. Part I established the market context for AI’s disruptive potential and identified three priorities: live operations evolution, commerce optimization, and advanced player analytics. The goal of this phase is to pinpoint the highest-leverage AI applications that deepen gameplay engagement, convert payment resistance through demonstrated value, and safeguard community trust. Accordingly, Part II outlines actionable playbooks (context-aware NPCs and adaptive narratives), platform tactics (purchase-aligned mobile personalization and cross-play integration), and operational models (behavior-based matchmaking and transparency protocols) designed to drive scalable, technology-led growth while preserving the integrity of shared human play.
This study provides a comprehensive analysis for Scopely to enhance its position as a leader in interactive and mobile gaming, focusing on AI integration in live operations, in-game commerce, and player analytics. The research reveals the urgent need for gaming companies to navigate accelerated AI adoption and evolving player expectations for personalized experiences. The goal is to identify the most impactful AI applications over the next three years and strategies that maximize engagement and monetization while maintaining player trust. Significant to this goal is balancing innovation with ethical considerations, including data privacy and transparency, while recognizing AI's potential to enhance storytelling and create immersive experiences. Employing a mixed-methods approach with industry interviews, a survey of over 1,000 U.S. gamers, and secondary research, Part I establishes the foundation for understanding AI's transformative impact - setting the stage for Part II's empirical findings and strategic recommendations.
A daylight robbery at the Musée du Louvre in mid-October resulted in the theft of eight priceless pieces from the French Crown Jewels housed in the Galerie d’Apollon. The incident now serves as an in-depth analysis for arts leaders globally to confront not only external threats, like highly organized professional thieves, but also the complex, internal risk of compromised staff and the urgent need to re-evaluate their security posture, technological investment, and institutional accountability.
As immersive technologies redefine the live concert experience, artists and virtual idols alike are transforming how audiences engage with music. From Hatsune Miku’s “holographic” performances powered by projection and LED technologies to VR concerts by creators like BlackGryph0n and Gorillaz, extended reality (XR) is blurring the lines between physical and digital performance. This article explores the evolution of Vocaloid software, the artistry behind digital concerts, and the growing influence of augmented and virtual reality in live music. As AR and VR become more accessible, musicians and fans alike are discovering new ways to connect—reshaping what it means to perform, attend, and experience music in the digital age.
This article examines how extended reality (XR) technologies are expanding theatre’s reach beyond the physical venue. Building on proshots’ successes and shortcomings, it maps liveness through four components—temporality, exclusivity, spatiality, and interaction—and tests them across emerging formats: immersive dome screenings (Cosm), phone-based AR experiments (All Kinds of Limbo, The Tempest), and avatar-led VR productions (Tender Claws, Adventure Lab). XR’s promise is real—richer presence, audience participation, and radical portability—but so are the hurdles of motion capture quality, cost, technical literacy, and scale. Rather than replacing stagecraft, XR functions as a flexible toolkit that opens new creative and accessible pathways for live performance.
This study provides a comprehensive strategy for Shaboom Records to enhance its status as an independent music label in a highly competitive market, focusing on three key areas: revenue growth, digital service provider (DSP) strategies, and fan engagement. The supportive research reveals the need for companies to effectively navigate changes in the music industry, such as globalization and the rise of streaming. The goal of this research is to identify the most effective revenue streams for U.S. independent labels expanding into emerging global markets and the digital engagement strategies that yield the highest conversion rates and retention metrics for Gen Z and Gen Alpha listeners. Significant to this goal is the recognition that DSP optimization is largely based on securing relationships with playlist curators. Furthermore, social media has democratized the music industry, giving artists control over their narrative and the ability to connect with fans.
This study provides a comprehensive strategy for Shaboom Records to enhance its status as an independent music label in a highly competitive market, focusing on three key areas: revenue growth, digital service provider (DSP) strategies, and fan engagement. The supportive research reveals the need for companies to effectively navigate changes in the music industry, such as globalization and the rise of streaming. The goal of this research is to identify the most effective revenue streams for U.S. independent labels expanding into emerging global markets and the digital engagement strategies that yield the highest conversion rates and retention metrics for Gen Z and Gen Alpha listeners. Significant to this goal is the recognition that DSP optimization is largely based on securing relationships with playlist curators. Furthermore, social media has democratized the music industry, giving artists control over their narrative and the ability to connect with fans.
Between 2017 and 2024, portrayals of motherhood on American television evolved alongside seismic shifts in reproductive rights policy. As streaming platforms expanded creative freedom, shows depicted increasingly diverse maternal experiences—grappling with infertility, childcare, abortion, and the pressures of “good motherhood.” At the same time, landmark legal changes, including the 2022 Dobbs v. Jackson decision, reshaped the national conversation about reproductive agency. This article explores how television both reflected and anticipated these political transformations, revealing the cultural narratives that influence—and are influenced by—the legal realities of parenting in America.
The digital art world is long past being just a new creative medium; it has evolved into a complex economic arena. What was once a niche field is now a battleground for artists, developers, and institutions grappling with new questions of ownership, value, and creative rights. This evolving landscape is driven by emerging technologies, including AI and blockchain, which are not only reshaping how art is made but also challenging the very foundations of traditional art markets and the way artists earn a living.
Cultural heritage is a testament to millennia of civilization, but it is threatened by natural erosion, tourism, and time. Most traditional methods of conservation, though foundational, have difficulty responding to the scale and complexity of these emerging challenges. Digital technologies, such as artificial intelligence (AI), 3D scanning, virtual reality (VR), and blockchain, can offer new solutions. This article examines how digitization preserves and revitalizes cultural property using the Mogao Caves as a case study.
This article investigates how artificial intelligence aids in the preservation of traditional music, using the Chinese Harp (Konghou) as a key example. It explores the technology's opportunities and challenges through an examination of existing models like Folk RNN for Irish music and MusicMamba for Chinese traditional music
Traditional ticketing systems, plagued by monopolies, scalping, and fraud, hinder audience participation in the arts. NFT ticketing may offer a solution, enhancing transparency, security, and fairness by eliminating intermediaries, preventing fraud, and enabling artists to control resale terms. Read how two companies, Yellowheart and Open Ticketing Ecosystem, have effectively started to integrate the technology into ticketing systems.
Since the pandemic, the VR concert industry has slowly become more mainstream as worldwide superstars like Megan Thee Stallion, Sabrina Carpenter and TOMORROW X TOGETHER adopt and utilize immersive realities. This article explores what music fans want, available VR concert formats, common technical limitations, and the experiential differences between in-person and VR concerts — questions labels and artists must consider before investing resources and funds into creating VR content.
Theatre live broadcasting has existed across various media for nearly a century. In its early days, it was delivered through radio and television. In the 21st century, advancements in technology enabled broadcasts on large cinema screens. During and after the COVID-19 pandemic, however, lockdowns and shifts in audience behavior appeared to redirect attention back to small screens. This research explores the meaning of “liveness” and whether live theatre broadcasts, sometimes costing up to $3 million, are worth the investment.
Deep research presents the complexities underneath a system. This article provides an overview of a recent report that comprehensively examines the evolving landscape of philanthropy, particularly its profound effects on arts justification and data cultures. It delves into how the arts, traditionally seen as outside classical economic theories, have progressively become integrated into the economic sphere due to the rise of industrial foundations and government arts councils in the 20th century.
What is the world if not a collection of stories? And, what is a globalized world without the capacity to share those stories across cultures, borders, and languages? Dubbing has long served as a bridge between screens and diverse audiences. However, as with every technological shift, we now find ourselves entering a new era: artificial intelligence. What challenges does this emerging paradigm present to the entertainment industry with regards to dubbing?
