Eric Theise is a geospatial engineer, filmmaker, and performance artist. On September 5, 2025, he shared “A Synesthete’s Atlas” Performing Cartography, in an artist talk at the Frank-Ratchye Studio for Creative Inquiry at the College of Fine Arts. The following is a joint effort by Nate Xiang, who attended the artist talk, and an interview with Eric afterwards.
In this episode of the Arts Management and Technology Lab, Samantha Childers explores why so many songs recommended by streaming platforms like Spotify, Apple Music, Amazon Music, and YouTube Music sound strikingly similar. She breaks down the inner workings of music streaming algorithms—how metadata, collaborative filtering, content-based filtering, and continuous feedback loops collectively shape the “perfect playlist.” Childers also examines Spotify features such as Discover Weekly and Discovery Mode, uncovering how these tools influence music discovery, artist visibility, and even compositional trends as musicians increasingly write with algorithms in mind. Alongside these technical insights, she raises critical ethical questions about data privacy, algorithmic bias, pay-to-play practices, and the shrinking role of human curation. Ultimately, the episode invites listeners to rethink how algorithm-driven platforms shape not only what we hear but also how we discover, value, and experience music.
In this episode of the Arts Management and Technology Lab, Andrew Wolverton and Zachary Collins explore how arts-focused technology can transform nonprofit ticketing and operations, tracing Ludus’s journey from a side project for a single high school musical to a nationwide platform serving more than 4,000 organizations. Collins explains how Ludus was built from the ground up around the real needs of drama teachers and community theaters, growing into an end-to-end system for ticketing, fundraising, marketing, volunteers, and concessions—while staying anchored in a people-first culture summed up by the company’s core value, “Give a Shit.” He reflects on navigating the COVID-19 shutdown through livestreaming and social-distancing tools, choosing the right growth equity partner, and why he believes AI shouldn’t replace arts workers but instead act as a “superpower” that frees them to focus on human-centered work and shared live experiences.
In this episode of the Arts Management and Technology Lab, Alexann Sharp and Cara Flannery sit down with four-time Emmy-winning innovator Michael Cioni to unpack how technology and creativity converge in modern media workflows. Cioni introduces Strada, a peer-to-peer platform designed to enable remote collaboration without cloud storage, and shares career lessons on building networks through industry events (NAB, Cine Gear, IBC) and assembling complementary teams (“Swiss-cheese” collaboration). He distinguishes generative vs. utilitarian AI, predicts a shakeout and rebound for GenAI, and outlines his Skills Gap Principle and “Technative” mindset for balancing creative and technical strengths. The conversation closes with candid advice on taking smarter risks and betting on yourself.
In this episode of the Arts Management and Technology Lab, Daniel Temkin and Luna Lu discussed the artistic possibilities of code, focusing on esoteric programming languages (esolangs) and how they can function as a medium for art and human expression. Temkin explained that his interest began with experimenting in existing esolangs (like Brainfuck) around 2007-2008, leading him to create his own and document them conceptually, moving away from overly technical documentation. The conversation highlighted how giving up on the idea that programming must be practical allows for artistic exploration, connecting esolangs to idea art, constraint-based work (such as the Oulipo Group), and performance art. Temkin detailed the structure of his book, which presents programming languages as idea-based art, containing both realized works and conceptual prompts inspired by artists like Yoko Ono, and described how his languages — such as Fat Finger, which inspired code poetry, and Folders, which manipulates file system hierarchy — explore themes of collaboration, human irrationality, and the extreme constraints of logical systems. Listeners were also encouraged to explore existing esolangs on the Esolang Wiki before trying to design their own.
In this episode, B Crittenden and Lutie Rodriguez with guest Ariel Miller focus on recent news surrounding two popular apps: TikTok and Spotify. From biometric data collection to speech analysis on Spotify, what are these apps doing to increase audience engagement and personalization? How does that impact users’ data privacy?
In this episode, a panel of AMT Lab contributors review their experiences with virtual museum engagement technology for institutions including the Benaki Museum in Greece, the Art Institute of Chicago, and the Rijksmuseum in the Netherlands. The featured panelists are Angela Johnson, Emily White, and Junyu Sun.
In this episode, AMT Lab Podcast Producer Angela Johnson interviews Andrew Recinos, President and CEO of Tessitura Network; Kathleen Barrett, Senior Vice President of Enterprise and Head of Creative Success at Vimeo; and Emma Keith, the Director of Digital Media at the National Theatre in London, about the recent strategic partnership between Vimeo and Tessitura that syncs Vimeo OTT and Tessitura's platform so that organizations can easily give audiences access to gated video content.
In this month's Let’s Talk episode, Angela and B speak with AMT Lab's Chief Editor, Lutie Rodriguez, about broadband access and its relationship with arts vibrancy. They then recap and reflect on the 2021 Oscars awards and discuss the new iOS update featuring App Tracking Transparency, which allows users to conveniently opt out of data tracking and is considered a win for user privacy.
In this episode, AMT Lab guest contributors Carol Niedringhaus and Katie Winter review VR experiences using Google Cardboard and Mozilla Hubs. Google Cardboard is, as the name indicates, a cardboard headset in which you can place a smartphone and engage with VR-based apps, such as Google Arts & Culture. Mozilla Hubs allows you to “share a virtual room with friends” on your browser.
In this month’s Let’s Talk episode, Angela Johnson and B Crittenden discuss the BIPOC-led filmmaker collective, Beyond Inclusion, and their letter to PBS concerning its overreliance on Ken Burns to the detriment of filmmakers of color. They also cover the Small Business Association’s Shuttered Venue Operators Grant application process and the pros and cons of using social media as a communication pathway for critical information.
In this month’s Let’s Talk episode, Angela Johnson and B Crittenden are joined by AMT Lab Chief Editor Lutie Rodriguez to discuss the latest update on Google Chrome’s planned elimination of third-party cookies. Angela and B then share their thoughts on NFTs and Loud & Clear, Spotify’s attempt at increasing royalty transparency.
In this episode, AMT Lab contributors Rosemary Haynes, Sam Houle, and Morgan Kasprowicz explore the complicated relationship of art and the internet through the story of net art, particularly Zach Blas’ Contra-Internet. They also examine these ideas through the lenses of data policy and sociological theory and discuss what this means for arts managers in this age of virtual art consumption.
