In this month’s Let’s Talk episode, Angela Johnson and B Crittenden discuss the BIPOC-led filmmaker collective, Beyond Inclusion, and their letter to PBS concerning its overreliance on Ken Burns to the detriment of filmmakers of color. They also cover the Small Business Association’s Shuttered Venue Operators Grant application process and the pros and cons of using social media as a communication pathway for critical information.
Uncovering Programmatic Marketing with Bill Updegraff
Interweaving Social: An Interview With The Royal Shakespeare Company's Sarah Ellis, Part 3
In the final part of her interview Digital Producer Sarah Ellis of the Royal Shakespeare Company (RSC) expands upon the technical aspects of ‘Midsummers Night’s Dreaming’ and the complexities surrounding artist rights in the social media realm. Together with Google, the RSC expanded the theatre experience into social media, prompting narration, content creation, and collaboration among audience members and the story’s characters.
Click here to read the interview.
Interweaving Social: An Interview With The Royal Shakespeare Company's Sarah Ellis, Part 3
In the final part of her interview Digital Producer Sarah Ellis of the Royal Shakespeare Company (RSC) expands upon the technical aspects of ‘Midsummers Night’s Dreaming’ and the complexities surrounding artist rights in the social media realm. Together with Google, the RSC expanded the theatre experience into social media, prompting narration, content creation, and collaboration among audience members and the story’s characters.
Interweaving Social: An Interview With The Royal Shakespeare Company's Sarah Ellis, Part 2
In the second part of her interview, Sarah Ellis, the Digital Producer of the Royal Shakespeare Company (RSC), expands upon the intricacies of introducing both audiences and actors into the world of a digital play. ‘Midsummer’s Nights Dreaming’ was an innovative digital experiment which explored storytelling and audience engagement online using social media.
Click here to read the interview.
Interweaving Social: An Interview With The Royal Shakespeare Company's Sarah Ellis, Part 2
In the second part of her interview, Sarah Ellis, the Digital Producer of the Royal Shakespeare Company (RSC), expands upon the intricacies of introducing both audiences and actors into the world of a digital play. ‘Midsummer’s Nights Dreaming’ was an innovative digital experiment which explored storytelling and audience engagement online using social media.
Interweaving Social: An Interview with The Royal Shakespeare Company's Sarah Ellis, Part 1
In the first part of her interview, Sarah Ellis, the Digital Producer of the Royal Shakespeare Company (RSC), discusses the inspiration, preparation, and implementation of Midsummer Night’s Dreaming, a rendition of Shakespeare’s A Midsummer Night’s Dream hosted largely online, in real-time over the course of 3 days. Ms. Ellis sits down with AMT Lab's Kristen Sorek West to discuss how, together with Google’s Creative Lab, the RSC brought to life over 50 characters using numerous social media profiles, characterized content, and real-time conversations with audiences.
What's on Your Phone, Beth Kanter?
An interview with Beth Kanter, author of Beth's Blog: How Nonprofits Can Use Social Media and co-author of both the Networked Nonprofit and Measuring the Networked Nonprofit.
Interweaving Social: An Interview With The Cleveland Museum Of Art's Reena S. Goodwin, Part 2
Interweaving Social: An Interview with the Cleveland Museum of Art's Reena Goodwin, Part 1
Reena S. Goodwin, the Cleveland Museum of Arts’ Digital Communications Manager shares approaches social media as a natural extension of the museum, uniquely reinforcing the museum’s physical experience, sense of community, and creative voice. AMT Lab’s Kristen Sorek West spoke to Ms. Goodwin to learn more about the museum’s approach to social media both online and in the museum.