In this episode of the Tech in the Arts podcast, Keith Eich shares insights from his career journey with AMT Lab’s Technology Manager, Jinghong Gong, exploring his experience at NBCUniversal, the founding of Hulu, and his transition from media to legal tech and public service.
What happened to the AI bill SB-1047? And how can artists advocate for themselves amid technological changes? In this Let’s Talk episode of the Tech in the Arts Podcast, AMT Lab’s Chief Editor of Research, Hannah Brainard, and Lead Researcher, Ian Hawthorne, dive into the recent developments in AI policy and its impact on artists.
In this episode of Tech in the Arts podcast, nonprofit technology consultant Karen Graham shares insights from her research with AMT Lab’s Executive Director and Publisher, Dr. Brett Ashley Crawford, on how organizations choose, evaluate, and manage donor software systems.
How is your data being used? And what policies are in place to protect you? In this Let’s Talk episode of the Tech in the Arts Podcast, AMT Lab’s Executive Director and Publisher, Dr. Brett Ashley Crawford, and Chief Editor of Research, Hannah Brainard, dive into the latest headlines.
In the first episode of the 2024-2025 season of Tech in the Arts, hear from Jessica Bowser Acrie, the director of the Arts Management and Public Management programs at Carnegie Mellon University’s Heinz College. Having recently attended the Christie’s Art + Tech Summit, Bowser Acrie shares her key takeaways for arts managers.
In this episode, B Crittenden and Dr. Brett Crawford speak with Dr. Gigi Johnson, Founder and President of Rethink Next and Executive Director of the Maremel Institute. They discuss the future of music education and virtual learning, emerging business models in the creative industry, and questioning the unquestioned.
In this episode, AMT Lab contributors Rosemary Haynes, Sam Houle, and Morgan Kasprowicz explore the complicated relationship of art and the internet through the story of net art, particularly Zach Blas’ Contra-Internet. They also examine these ideas through the lenses of data policy and sociological theory and discuss what this means for arts managers in this age of virtual art consumption.
