In this episode of Tech in the Arts, AMT Lab Lead Researcher Ian Hawthorne sits down with Stewart Urist, General Manager of the Pittsburgh Public Theater, to discuss their transition to Sage Intacct, a cloud-based financial management software. They delve into the challenges of migrating from a legacy system, the benefits of automation and AI in financial processes, and how tools like Sage can empower nonprofit organizations to streamline operations and improve budget transparency. Whether you’re considering a software transition or just curious about nonprofit financial management, this episode offers valuable insights for organizations of all sizes.
In this episode of the Tech in the Arts podcast, Keith Eich shares insights from his career journey with AMT Lab’s Technology Manager, Jinghong Gong, exploring his experience at NBCUniversal, the founding of Hulu, and his transition from media to legal tech and public service.
What happened to the AI bill SB-1047? And how can artists advocate for themselves amid technological changes? In this Let’s Talk episode of the Tech in the Arts Podcast, AMT Lab’s Chief Editor of Research, Hannah Brainard, and Lead Researcher, Ian Hawthorne, dive into the recent developments in AI policy and its impact on artists.
In this episode of Tech in the Arts podcast, nonprofit technology consultant Karen Graham shares insights from her research with AMT Lab’s Executive Director and Publisher, Dr. Brett Ashley Crawford, on how organizations choose, evaluate, and manage donor software systems.
How is your data being used? And what policies are in place to protect you? In this Let’s Talk episode of the Tech in the Arts Podcast, AMT Lab’s Executive Director and Publisher, Dr. Brett Ashley Crawford, and Chief Editor of Research, Hannah Brainard, dive into the latest headlines.
In this episode, AMT Lab contributors Rosemary Haynes, Sam Houle, and Morgan Kasprowicz explore the complicated relationship of art and the internet through the story of net art, particularly Zach Blas’ Contra-Internet. They also examine these ideas through the lenses of data policy and sociological theory and discuss what this means for arts managers in this age of virtual art consumption.
