streaming

Digital Streaming For Arts Organizations: Who it continues to serve

Digital Streaming For Arts Organizations: Who it continues to serve

In this episode of our Let’s Talk podcast, host Maraika Lumholdt talks with B Crittenden, Manager of Corporate Support at the Pittsburgh Symphony Orchestra, about how live streaming changed the arts world during the COVID-19 lockdowns, and how it continues to serve audiences despite the return to in-person programming.

Let's Talk: Remote Work, Rising Screen Time, and Tools for Livestreaming

Let's Talk: Remote Work, Rising Screen Time, and Tools for Livestreaming

In this episode, B and Lutie talk about the remote and hybrid work landscape as employers and employees navigate a possible return to so-called normalcy as well as rising screen time and its implications. Then, B and AMT Lab Podcast Producer Angela Johnson chat with AMT Lab contributor Andrew Wolverton about the popular livestreaming software Streamlabs OBS and tips for embracing livestreaming technology.

Hosting Engaging Digital Performances: An Interview with Tessitura, Vimeo, and the National Theatre

Hosting Engaging Digital Performances: An Interview with Tessitura, Vimeo, and the National Theatre

In this episode, AMT Lab Podcast Producer Angela Johnson interviews Andrew Recinos, President and CEO of Tessitura Network; Kathleen Barrett, Senior Vice President of Enterprise and Head of Creative Success at Vimeo; and Emma Keith, the Director of Digital Media at the National Theatre in London, about the recent strategic partnership between Vimeo and Tessitura that syncs Vimeo OTT and Tessitura's platform so that organizations can easily give audiences access to gated video content.

Let's Talk: Golden Globe Nominations, Streaming Platforms for the Arts, and Virtual Museum Engagement

Let's Talk: Golden Globe Nominations, Streaming Platforms for the Arts, and Virtual Museum Engagement

Angela Johnson and B Crittenden discuss the implications of the recent Golden Globe nominations, followed by a conversation about B’s research on if and why some arts organizations should look to distribute their performances on aggregate streaming platforms. They also discuss virtual volunteering and recent virtual solutions to audience engagement found in museums.