Free To Play: A Live Video Game Performance redefines interactive theatre by merging live performance with real-time gameplay. Supported by the Frank-Ratchye STUDIO for Creative Inquiry, the production explores how digital platforms, gamification, and audience participation reshape creative agency and engagement in contemporary performance.
The Bear’s season 4 faces criticism for moving too slowly, but this review argues why the slow pacing is essential to the show’s exploration of trauma and the healing process. By analyzing key episodes, such as Sydney getting her hair done and the big fight at the end, this article explains how the show focuses on teamwork rather than individual genius. The analysis covers the season’s most impactful moments and states why patience in storytelling matters for representing what real recovery looks like.
AMT Lab has been using Descript and Otter.ai for many years. Both have matured and created unique value propositions for creators, artists, and arts organizations. The following offers a summary of the tools and uses from a podcasting point of view. However, they have other valuable business uses that are easy to see. Selecting the best tool for your use will be dependent on budget and intended projects.
As AI companies face widespread criticism for training models with unlicensed other content, Bria.ai reimagines generative AI with artists rights at the forefront. Learn more about how this startup is sourcing licensed content, tracking how specific images influence outputs, and compensating creators for their work.
MuseumNext’s virtual Green Museums Summit took place on February 26 and 27, 2025, featuring speakers from institutions worldwide. Each shared their unique approach to addressing climate change, whether through their facility, day-to-day operations, or programming. Hannah Brainard, AMT Lab’s Chief Editor, shares key themes and takeaways from the conference.
Free To Play: A Live Video Game Performance redefines interactive theatre by merging live performance with real-time gameplay. Supported by the Frank-Ratchye STUDIO for Creative Inquiry, the production explores how digital platforms, gamification, and audience participation reshape creative agency and engagement in contemporary performance.
Against all things holy and sacred, we wore Google Glass to live arts performances to test its functionality, as part of Google’s trial program in 2013. A form of head mounted display—a computing device intended for the user to wear on his or her head—Glass projects an augmented reality onto the real world...
