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Arts Management and Technology Lab

Current
Podcasts & Interviews
Reviews
Reports
All Research Tracks
Engagement
Marketing & Social Media
Fundraising
Artificial Intelligence
Augmented & Virtual Reality
Blockchain
Inclusion
Data Collection & Analytics
Management
CRM Systems
Sustainability
About
Mission, Impact & Values
Staff
Current Contributors
Past Staff & Contributors
Tools
Contact
New Product Review: Curiator
March 9, 2015
News & Announcements
Stewart Urist
New Product Review: Curiator
Stewart Urist
March 9, 2015
News & Announcements

New Product Review: Curiator

Stewart Urist
March 9, 2015
News & Announcements

Curiator encourages users to discover, collect and share art. Launched in early 2014, the app is an extension of the Curiator online platform, a social media website with an emphasis on visual art which claims to be the world’s largest online collaborative art museum.

Learn more about Curiator by clicking here.

Tagged: Announcements, reviews

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Featured
Between Discovery and Launch: How SXSW 2026 Reflects the Changing Economics of Filmmaking
April 22, 2026
Staff Researcher
Between Discovery and Launch: How SXSW 2026 Reflects the Changing Economics of Filmmaking
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This article analyzes how SXSW 2026 reflects broader changes in the film festival circuit, particularly the transition from acquisition-driven markets to marketing-oriented platforms. It considers the implications of this shift for distribution strategies, industry access, and the sustainability of independent filmmaking.

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Tom Lloyd at the Studio Museum in Harlem
February 26, 2026
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Tom Lloyd at the Studio Museum in Harlem
February 26, 2026
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Tom Lloyd's light-based sculptures are now on view at the newly reopened Studio Museum in Harlem, marking the institution's return to 125th Street after years of renovation. This review examines how Lloyd built a practice around electric light and technology at a time when Black artists faced pressure to work in more representational forms, and why his work remains relevant today.

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February 26, 2026
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On Hamnet: Between the natural and the classical
January 31, 2026
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On Hamnet: Between the natural and the classical
January 31, 2026
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This article offers a philosophical analysis of Hamnet, focusing on how director Chloé Zhao constructs a cinematic language grounded in pre-linguistic perception, myth, and embodied affect. Centering on the character of Agnes, the essay argues that the film traces a movement from a holistic, pre-symbolic mode of being—rooted in nature, sensation, and maternal lineage—into the symbolic order shaped by rhetoric, narrative, and art. Drawing on mythology, psychoanalytic theory, and Western philosophical traditions, the analysis explores how grief resists linguistic assimilation and how artistic representation functions as a belated ethical container for loss. Rather than resolving trauma through narrative closure, Hamnet foregrounds ambiguity, sensory immersion, and emotional resonance as primary modes of meaning-making. The article ultimately positions Zhao’s film as a critique of interpretive dominance in Western thought, proposing cinema as a space where perception precedes language and where art enables a shared, collective encounter with otherwise inexpressible pain.

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Free to Play: A Live Video Game Performance
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Free to Play: A Live Video Game Performance
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Free To Play: A Live Video Game Performance redefines interactive theatre by merging live performance with real-time gameplay. Supported by the Frank-Ratchye STUDIO for Creative Inquiry, the production explores how digital platforms, gamification, and audience participation reshape creative agency and engagement in contemporary performance.

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Time and Trauma: How "The Bear" Season 4 Perfects the Art of Patience
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The Bear’s season 4 faces criticism for moving too slowly, but this review argues why the slow pacing is essential to the show’s exploration of trauma and the healing process. By analyzing key episodes, such as Sydney getting her hair done and the big fight at the end, this article explains how the show focuses on teamwork rather than individual genius. The analysis covers the season’s most impactful moments and states why patience in storytelling matters for representing what real recovery looks like.

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August 28, 2025
Taylor Lien

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Arts Management & Technology Laboratory

Carnegie Mellon University, John C. Heinz College III

4800 Forbes Avenue

Pittsburgh, PA 15213