Public Policy, creative industries
Ian Hawthorne
Frameworks for Understanding Cultural Policy: ...

This article analyzes Ireland’s emerging position as a global cultural policy case study, focusing on the Basic Income for the Arts (BIA) program and its place within the national framework Culture 2025. While Ireland’s consensus-driven political system, strong arts advocacy networks, and history of support for artist income have enabled an ambitious, research-oriented basic income pilot, the article highlights deeper tensions within cultural policymaking. Drawing on Stephen Hadley’s concept of “cultural policy realism,” it argues that Ireland’s policies—despite their novelty—remain rooted in traditional, instrumentalist views of culture as an economic engine and national branding tool. By contrasting democratization of culture with cultural democracy, the piece situates Ireland’s model between innovation and reversion, emphasizing the need for sustained experimentation, critical evaluation, and more genuinely democratic approaches to cultural support.

Frameworks for Understanding Cultural Policy: Lessons from the Irish Model
Gamification, Research, Artificial Intelligence
Staff Researcher
Part II - The Role of AI in Evolving Game ...

This study advances Part II by translating Scopely’s strategy into an execution plan across three tracks - NPC innovation, intelligent monetization, and ethical LiveOps - supported by new evidence from a 1,159-response consumer survey, nine expert interviews (developers, influencers, and experiential professionals), and secondary industry research. Part I established the market context for AI’s disruptive potential and identified three priorities: live operations evolution, commerce optimization, and advanced player analytics. The goal of this phase is to pinpoint the highest-leverage AI applications that deepen gameplay engagement, convert payment resistance through demonstrated value, and safeguard community trust. Accordingly, Part II outlines actionable playbooks (context-aware NPCs and adaptive narratives), platform tactics (purchase-aligned mobile personalization and cross-play integration), and operational models (behavior-based matchmaking and transparency protocols) designed to drive scalable, technology-led growth while preserving the integrity of shared human play.

Part II - The Role of AI in Evolving Game Ecosystems and Player Dynamics
Artificial Intelligence, entertainment, Research
Staff Researcher
Part I - Beyond the Screen: The Role of AI in ...

This study provides a comprehensive analysis for Scopely to enhance its position as a leader in interactive and mobile gaming, focusing on AI integration in live operations, in-game commerce, and player analytics. The research reveals the urgent need for gaming companies to navigate accelerated AI adoption and evolving player expectations for personalized experiences. The goal is to identify the most impactful AI applications over the next three years and strategies that maximize engagement and monetization while maintaining player trust. Significant to this goal is balancing innovation with ethical considerations, including data privacy and transparency, while recognizing AI's potential to enhance storytelling and create immersive experiences. Employing a mixed-methods approach with industry interviews, a survey of over 1,000 U.S. gamers, and secondary research, Part I establishes the foundation for understanding AI's transformative impact - setting the stage for Part II's empirical findings and strategic recommendations.

Part I - Beyond the Screen: The Role of AI in Evolving Game Ecosystems and Player Dynamics
News & Announcements, museums
Hales Wilson
Byte-Sized Culture: The Art of Stealing

A daylight robbery at the Musée du Louvre in mid-October resulted in the theft of eight priceless pieces from the French Crown Jewels housed in the Galerie d’Apollon. The incident now serves as an in-depth analysis for arts leaders globally to confront not only external threats, like highly organized professional thieves, but also the complex, internal risk of compromised staff and the urgent need to re-evaluate their security posture, technological investment, and institutional accountability.

Byte-Sized Culture: The Art of Stealing
entertainment, Extended Reality, Digital Futures
Staff Researcher
The Use of Immersive Technology in Live Music: ...

As immersive technologies redefine the live concert experience, artists and virtual idols alike are transforming how audiences engage with music. From Hatsune Miku’s “holographic” performances powered by projection and LED technologies to VR concerts by creators like BlackGryph0n and Gorillaz, extended reality (XR) is blurring the lines between physical and digital performance. This article explores the evolution of Vocaloid software, the artistry behind digital concerts, and the growing influence of augmented and virtual reality in live music. As AR and VR become more accessible, musicians and fans alike are discovering new ways to connect—reshaping what it means to perform, attend, and experience music in the digital age.

The Use of Immersive Technology in Live Music: Vocaloid, Digital Concerts and XR Implementation

Arts & Technology

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Online Art Communities- Sales or Support?

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Interact with Other Artists / Buy & Sell Artwork Like Never Before The Vision Grove is more than an online art gallery. Here you can also get involved in a vibrant art community and interact with artists and buyers from all over the world.

It begins with the above subheading... emphasizing the community aspect of the site, but then the release continues to inflate the sales potential of an online gallery. Although I understand the that the E.D. is directing his business to attract people interested in sales, the mission on his website seems to suggest the opposite:

From the press release: "The reasoning behind using art communities is fairly obvious: absolutely no pressure, gorgeous original art for sale, and instant connections with top-quality buyers and sellers."

From "Our Philosophy," it doesn't mention the sales opportunities once... It references an idea of growth.

I think this person is making the mistake of focusing on sales. The sales will happen through networking... but I doubt online. Art is about a tranformative experience. I cannot fathom the idea of buying a piece of art without having it in front of my face. Moreover, lots of artists like to establish relationships with the people they sell to, and vice versa. Art enthusiasts bask in a glory of superstarness when they can say they "know" the artist. Will this be accomplished over a web portal? I doubt it.

The website is sophisticated and clean... a rendition of a visual artist MySpace. The E.D. should generate enthusiasm about the aspect of networking and community and let the sales happen on their own. Web art communities are great and I think tech-saavy artists would really embrace this type of support. If it develops organically and with integrity, website advertisers will find their niche as it's represented on the site- not as it's projected.

What other web art communities are out there? Could we do something like this locally, with each arts agency acting as a host... beyond artist rosters?Š

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And a happy morning to you too

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I consider myself relatively internet savvy, but admit I am hesitant to utilize some of the more recent computer based media. For example, I don't own a digital camera or mp3 player, my cell phone is pretty basic (no camera or Wi Fi capabilities) and my myspace profile is average at best (no video clips, rotating pictures or artistic graphics). While my technical skills could be significantly updated, it doesn't prevent me from enjoying the intelligent and clever accomplishments of others, particularly when it involves marketing methods and young audiences. Folgers has a snappy video clip on youtube.com that resonated with my typical morning -- I'm a full time graduate student at Carnegie Mellon University with frequent late night study sessions.

Folgers' commercial, called "Happy Morning", may never receive air time on television as it is only available on the Web. It's intended specifically for a younger demographic and those who count on the internet to supply the majority of their news and information. Dare I suggest these are the same folks attending our concerts, exhibits, workshops and performances?

I realized for-profit businesses are riding the technology wave for all its worth...what are non-profits and arts organizations doing to remain competitive? I'd personally love to see what your organizations are doing to attract new audiences, so if you have a neat video clip, Web site or blog to share, please send it to us!

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A couple recent victories for us geeks...

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Among the 100 new words just added to the new edition of Merriam-Webster's Collegiate Dictionary are two very geekish items: Mouse potato (n) - an intensive computer user.

Google (v) - to use the Google search engine to retrieve online information.

As I've yet to get my copy of M-W's new edition, these definitions aren't taken directly from its pages. I usually wait until the dictionary's new edition drops in price (around November) before I make my annual trip to Wal-Mart to purchase my copy. I then spend a long weekend sipping brandy at fireside and reading every page of my new treasure.

It is amazing how something like Google can so rapidly capture the concsiousness of society that it becomes an official word in the English language. It was just eight short years ago that Google, Inc. first started its three-person office, based in a Menlo Park, CA, garage.

While an arts organization can't expect to become a dictionary word, this is further proof that technology is the fastest and most powerful way to connect with people. After all, "mouse potato" wouldn't be a word if there weren't tons of them out there just waiting to hear about your art. ;)

Geeks rejoice... we have two new rungs on the ladder of legitimacy!

It's a claim to fame

Bringing literature and art to the city of Steel Pittsburgh ranks as eighth most literate city and as third best mid-sized arts city

Pittsburgh was also ranked recently as one of the top livable cities in some report I read, in addition to having one of the highest rankings in cultural and arts organizations per capita. Over the weekend, I even heard that we have one of the best city fireworks show in the nation.

I'm always dubious of such statistics, but I do concede there is an essence of truth to such claims. Since moving here from California, I can attest to the following:

  • Pittsburgh is affordable, pretty and in a great location.
  • For a small (mid-sized?) city, there is an incredible amount of performance and visual venues, well-supported by the community, coupled with events and education outreach programs.
  • The fireworks show was, well- average.

Statistics, reports, data or not... I am finding Pittsburgh to be a hospitable and fun home.

Colonial Attraction Using Latest Technology

At Colonial Williamsburg you expect to see a true historical representation of what life was like over two hundred years ago. At a living historical museum butter churns, horse drawn carts, and triangle hats are usual sights, but how about iPods? Colonial Williamsburg is one of the latest museums to use iPods to lead visitors along tours of the grounds. This device that has only been around for a few years has had a huge impact on how tours are conducted and accessed. Visitors can now hear the portrayal of Thomas Jefferson on an iPod as they cross the grounds as well follow audio tours. Pretty savvy for a museum that shows how life was without any modern conveniences like electricity. Read an article here. What do you think of the latest trends using iPod technology? Let us know!