2008 ArtsTech Awards - Call for Nominations

Opens July 7, 2008 - Closes August 8, 2008

The 2008 Technology in the Arts Conference convenes representatives from the full spectrum of arts community, from the local to national levels, to explore the intersection of the arts and technology.

In honor of this exploration, the ArtsTech Awards recognize three categories of leaders in the arts and technology: artists, arts organizations and funding organizations.  For the 2008 ArtsTech Awards criteria, guidelines and nomination forms, visit the following category-specific links:

• Artists (Individual or Group)
• Arts Organizations
• Funding Organizations

Nominations must be submitted through our online nomination forms.  Nominations must be received by 11:59PM EST on August 8, 2008.

The recipients of the 2008 ArtsTech Awards will be honored at the Technology in the Arts Conference during the Keynote and Awards Luncheon on October 10, 2008.

If you have questions about the ArtsTech Awards or the nomination process, please contact David Dombrosky.

What I Learned at the Americans for the Arts Convention...

Remember those essays you had to write in elementary school - e.g. "What I did for summer vacation"?  That's sort of what this post feels like since Brad chastised me for being remiss in my blogging duties.  Of course, I fired him - again.  I do that a lot.  It just never seems to stick. AFTA held this year's convention in Philadelphia - the city of brotherly love (and sisterly affection).  The hotel sold out long before I climbed out of my procrastination long enough to book a room.  Thankfully, I found a room at a nearby hotel - directly across the street from where they were filming Transformers 2.  If only I hadn't gotten bored and walked out of Transformers, then I might have been more starry eyed.

After three days in Philly with Americans for the Arts, I return to the Burgh with three essential take-aways:

1.  Affirmation -- In a recent (soon to be published) environmental scan of the arts community conducted by Americans for the Arts, it has been determined that, "The influence of technology, unconstrained access, and the new immediacy of communication on traditional and new and evolving production/delivery mechanisms is not yet entirely understood."  While the influence of technology on production/delivery may not be fully understood, the impact of technology on the arts community has been seismic.  Between AFTA and the NPAC conventions this month, I come back to the Burgh knowing that our Technology in the Arts conference, blog, podcast, and site resources are truly useful tools for the field to assist them in navigating unfamiliar terrain.

2.  Futurists Rock -  The Keynote Address was given by futurist Andrew Zolli, founder of Z+ Partners and organizer of the PopTech conference, in the manner that I've yearned for at all of the conferences I have attended throughout my professional life:  highly engaging, provocative and witty.  He touched on a multitude of issues - from innovation and "the tyranny of choice" to experiential economics, "the Long Tail" and "Citizen Brand." I think it was the first time that I went to a conference where the keynote speaker talked for 45 minutes, and I wanted to hear more!  For those of you who were not able to attend AFTA this year (or for those of you who just want to hear more of what Andrew has to say), check out these video clips on YouTube.

3.  The RenGen is Here - On Friday, I had the pleasure of listening to Patricia Martin talk about the premise behind her book RenGen: Renaissance Generation - The Rise of the Cultural Consumer and What It Means to Your Business.  Here's a brief bit from Patricia about the event that inspired her to do the research for this book:

I tried to run out to the AFTA bookstore to buy RenGen - but of course, it was already gone.  Amazon, here I come!

My two favorite concepts that she talked about during her session are:

• RenGen is a psychographic NOT a demographic. What characterizes this psychographic?
  • Lifelong learners
  • Time-starved idealists
  • Sensualists
  • Eco-conscious
  • Fusionists
  • Inner-directed creatives
• Collective Creativity - a post on the concept from her blog.

Okay, folks, I have blogged enough today to keep the Brad at bay.  I pinkie-swear to do better!

Victory is... Not mine?

Pop Arts Marketing held their own iPod giveaway last week for the National Performing Arts Convention in Denver. But their contest required a bit more skill than ours, as they set up an online game called Harpsichord Hero, which riffed on the popular Guitar Hero. For most of the Convention, I held the high score, but someone finally bested me on the last day of the event. On Friday, I got what I thought was a perfect score and celebrated a bit more than any reasonable adult should. Then when I looked at the leaderboard, I realized that my adversary was still slightly higher than me in the rankings.

This is a photo of me in mid-celebration, before I was crushed by the realization of defeat:

I look more terrified than happy, really.

You can still play Harpsichord Hero and see my 2nd, 3rd and 4th place scores on the Pop Web site.

Congratulations!

Congratulations to the four winners of the Institue for the Management of Creative Enterprises iPod Nano giveaway. We collected business cards during the National Performing Arts Convention in Denver, CO, last week, and our winners were picked on Friday. The lucky quartet:

• Jodi Schoenbrun Carter, Managing Director, Westport Country Playhouse
• Julie Hawkins, Vice President of Public Policy, Greater Philadelphia Cultural Alliance
• Conrad Kehn, Composer/Vocalist
• Trevor Hunter, Technical Producer, Counterstream Radio

To all of those who entered but did not win, please remember this quote from William Shakespeare: "Having nothing, nothing can he lose."

Rocky Mountain High, Chorus America

We were fortunate enough to catch an impromptu performance of Rocky Mountain High by members of Chorus America, the national non-profit service organization for choral music. Rocky Mountain High.

We are also featuring the group's performance in our most recent podcast, Technology in the Arts #44, which is dedicated to interviews from this week's 2008 National Performing Arts Convention.

Asleep on the Job...

One of the big problems with having comfy couches in your exhibit hall booth space:

The Colorado Convention Center really needs to do a better job keeping hobos from accessing the exhibit hall.

Trade Show Booth Setup Blues

Though tomorrow is the first official day of the National Performing Arts Convention in Denver, CO, I had to arrive last night so I'd be ready this morning to set up our booth in the exhibit hall. Ain't she purty? Yes, that's a leather sofa.

Fortunately, everything arrived as scheduled, so there was no need for my late night cold sweats from anxiety about a crucial booth component getting lost in transit. But when I say "everything," I mean four large 100-pound crates, two large 50-pound boxes, a cylindrical container and a large flat box.

Why so much packaging? Well, this booth is a monster. For this particular show, we're exhibiting as the Institute for the Management of Creative Enterprises, which is the parent entity of our research center (CAMT.Artsnet.org), and two master's programs (MAM.Artsnet.org and MEIM.Artsnet.org).

During a particularly hairy moment this afternoon, one of the booth's walls toppled, nearly killing the guy at the neighboring exhibit space. If I had knocked him unconscious, my plan would have been to drag his body into a restroom, pack everything back up, and fly home to Pittsburgh. Surely he would have been hit hard enough to forget who or what had struck him, right?

Anyway, the booth is all set up, and I'm looking forward to the convention. I'm especially excited to tour the exhibit hall, as on display will be hundreds of amazing performing arts groups, technology providers, arts management companies, etc.

As you can see from the image at the top of this entry, our booth features a seating area with a leather couch and chair. I'll feel a little like Dick Cavett when I sit and chat with passersby.

Do You Know the Way to San Jose?

This week saw the arrival of the second biennial 01SJ - North America’s newest and largest festival of digital arts, and a great deal more. From a hip hop, multi-media meditation on Antarctica to robot art, from conversations with artificial intelligence to operatic performances of Google headlines about the environment, from avant-garde cinema to new musical forms - well over 100 artworks, performances, screenings, talks, and workshops will be featured at 01SJ. Festival organizers expect it to be a perspective-altering experience that entertains, enlightens, educates and involves attendees in a new understanding of our changing world.

The 2nd Biennial 01SJ Global Festival of Art on the Edge consists of over 100 events, exhibitions, concerts, performances, lectures and workshops at many venues across the urban landscape of downtown San Jose.

According to Artistic Director Steven Dietz, “This has the potential to be the South by Southwest of digital media in the United States.”

01SJ aspires to become the North American answer to the Ars Electronica Festival – the annual celebration of digital art in Linz, Austria first staged in 1979. “Linz is now a cultural center for the country,” said 01SJ founder and board chairwoman Andy Cunningham, “We hope to do that with San Jose.

Okay, folks, it's time for YOU to drop some serious knowledge!

Proposals for sessions and workshops are now being accepted for Technology in the Arts 2008 conference to be held at the Hilton Pittsburgh in downtown Pittsburgh, Pennsylvania from October 9 - 11. The conference has two primary types of programming - Hands-On Workshops and Conference Sessions.

• Hands-On Workshops: Thursday, October 9th: Held in a computer lab environment, these workshops will provide "nuts & bolts" instruction to guide participants through technical processes toward concrete solutions to challenges. Each hands-on workshop will last 2 hours and 30 minutes.

• Conference Sessions: Friday, October 10th & Saturday, October 11th: Held in breakout rooms near Conference Registration and the Tech Expo, conference sessions may use a number of possible formats to cover relevant issues relating to the use (or potential use) of technology in arts management or production. Conference sessions will last 1 hour and 15 minutes.

Not an expert? You don't have to be one to organize a session. Here are some tips for pulling together a top notch session.

Proposal Criteria: A panel of arts and technology practitioners will review all submitted proposals to select the final program in early July. Sessions will be selected based on the following criteria:

• Exploration of new or compelling ideas, technologies or practices
• Speakers' expertise and/or experience with the topic
• Session's relevance to the conference

In addition to the above criteria, the panel will be charged to select workshops and sessions with an eye toward providing a well-rounded gamut of topics and ideas for conference attendees.

Benefits for Session Leaders and Participants: Individuals who propose sessions selected for the conference program will each receive a complimentary registration for the conference and hands-on training day. Other session participants or speakers will be offered a severely reduced registration rate of $50 for the conference and hands-on training day. All session participants will be responsible for their own travel and hotel expenses.

Proposal Components: To be considered, proposals must include the following information:

1. Session title
2. Session type - Hands-On Workshop or Conference Session
3. Session format - For Conference Session proposals only
4. Description of the proposed session
5. Explanation of relevance to the conference
6. Contact information and bio paragraph for session leader
7. Other potential presenters and what they would add to the session

Submit your session proposal online by June 30, 2008.

All applicants will be notified of their proposals' status by July 11. For questions or additional information, contact David Dombrosky.

SlideShare - the largest community for sharing presentations

So after the Technology in the Arts: Canada, we were posting presentations and resources from the conference when we ran into a slight snag. A number of the PowerPoint slide presentations were too large to e-mail. At first, I recommended that the presenters use a large file transfer site, but then a colleague showed me the virtues of SlideShare. SlideShare allows you to:

• Embed slideshows into your own blog or website.
• Share slideshows publicly or privately.
• Synch audio to your slides.
• Market your your event on slideshare.
• Join groups to connect with SlideShare members who share your interests
• Download the original PowerPoint / Pdf file

For example, here's the embedded version of Linda Roger's presentation "Virtual Concerts in the Park" from last week's Technology in the Arts: Canada conference:

| View | Upload your own

Did I mention that SlideShare is free? With all of the arts conferences and presentations I have attended over the years, it's amazing that I had not heard of this resource. I can't wait until I get to play PowerPoint Karaoke!!