Community Building

Notice something new?

Those of you who actually visit TechnologyInTheArts.org rather than simply subscribing to our RSS feeds may have noticed a change to the site earlier today. We just completed the first phase of a graphics and content overhaul to bring the Center for Arts Management and Technology’s various services together in one convenient location. We welcome you to explore the site and provide us with feedback by clicking here or using the Contact Us button on the main menu at any time.

Next week, I'll describe in detail the changes we've made and how we've tapped into the full potential of WordPress.

By the way, subscribing to our blog and/or podcast feeds is a good thing and not at all vile like I made it seem earlier in this post. Find out how to subscribe and have all of our content sent directly to you!

Wired.com's Semi-Monthly Photo Contests

The folks at Wired.com have decided to host a series of semi-monthly photo contests for reader-submitted photography. I have been really impressed with the photography that has been submitted. Check out submissions for their current photo contest "Show Us Your Best Night Photo." Maybe I should submit this photo from the 2008 Toronto Winter Festival?

They just wrapped up a contest for reader self-portraits and posted the top photos as determined by Wired.com's photo department as well as the readers' picks for best self-portrait.

Wired.com is using a Reddit widget as the upload mechanism for their readers' photo submissions. Of course, Conde Nast Publications (Wired's parent company) owns Reddit - so they got to use the widget for free; but other organizations could use a simple contact form wherein the applicant places information and a link to their photo on Flickr or Photobucket .

What a great way for magazines, museums, galleries, art centers, and other organizations with a visual art connection to engage their audience and acquire user-generated content!

2008 NTEN Nonprofit Technology Conference

Today kicked off the 2008 NTEN Nonprofit Technology Conference in New Orleans, Louisiana. On my way toward downtown, I took this photo of Jackson Square on my cell phone.

I spent about three hours in the Science Fair (normally called an "exhibit hall" at other conferences) absorbing as much as I possible could about the various technology product and service providers who work with nonprofit organizations. I met some people doing really wonderful work, and I hope to introduce them to you as sponsors for our 2008 Technology in the Arts Conference in October! Click here for a list of companies in residence at this year's Science Fair.

After the Science Fair, I went to dinner with my fellow CAMT teammates Haebin and Guillermo, who wanted to find a place to get seafood and alligator. We ended up at the Cajun Cabin on Bourbon Street. Check out Haebin playing the spoons with the restaurants cajun/zydeco band!

After dinner, we ventured further into the wilds of the French Quarter. It turns out the Haebin has an fun-loving inner rock star who just had to get up onstage at the Cat's Meow to do a karaoke rendition of "Girls Just Want to Have Fun." Cyndi Lauper would have been proud.

On my walk back to the hotel, I passed an interesting gallery on Royal Street and took a photo of this large scale facial sculpture.

Day One - Thumbs up for me.

Considering technology's role...

On Saturday, I participated in the most terrifying and exhilarating acting experience of my life: Bricolage Urban Scrawl (BUS). Bricolage is a Pittsburgh-based theater company, and its annual BUS project is a spin on the play-in-a-day concept. Six playwrights gathered on Friday evening, rode city buses for two hours as inspiration, then spent the night writing 15-minute plays. The following day, a slew of actors, including myself, met at Bricolage's space, were handed our scripts and started rehearsing for that evening's performance. These were full productions... not readings. No scripts, no calling for line. Horrifying.

And what was even more horrifying for me was the fact that I had to learn 12 pages of singing and monologues in a matter of hours. Not to mention the fact that the script called for my character to be in his underwear the entire play. It was like a double-nightmare come true: Standing naked in front of people and forgetting all your lines.

But my point is not that I tore off my clothes or nailed every line of my monologues (which I totally did); rather, my point is that interesting and engaging projects like BUS are made much simpler through technology.

The playwrights were able to write from home and email their scripts to the artistic director, rather than hand delivering them after a sleepless night. Also, the production team was able to send each rehearsal party (director and actors) off to different rehearsal spaces around the city and stay coordinated through mobile text messaging.

Yes, this type of theater has been happening since long before computers and cell phones, but I certainly wouldn't want to try and pull something like this off without them. Maybe I'm just spoiled.

Or maybe an event like this would be even better without all of this technology. Would the acting company grow closer? Would the playwrights gain something by sitting around the same space working out their plots?

Technology also has its limits. When 8 PM hit, it was curtain up and no technology could make me look any leaner in the buff. Also, as far as I know, the brain implant that lets an actor upload lines directly to his/her brain has yet to be invented.

Learn more about Bricolage.

Library of Congress Partners With Flickr

The U.S. Library of Congress has formed a partnership with the photo-sharing site Flickr to make more than 3,000 historical photographs from accessible to the public. As reported in a recent issue of Avisio from the American Association of Museums, "The photographs are from two of the Library of Congress's most popular collections, the George Gratham Bain News Service and the Farm Security Administration/Office of War Information. They include high-resolution images—with no known copyright restrictions—of newsworthy events in the 1910s and color photographs from the 1930s and 1940s." The collection is housed in an area of Flickr called The Commons, wherein the site claims, "These beautiful, historic pictures from the Library represent materials for which the Library is not the intellectual property owner. Flickr is working with the Library of Congress to provide an appropriate statement for these materials. It's called 'no known copyright restrictions.' Hopefully, this pilot can be used as a model that other cultural institutions would pick up, to share and redistribute the myriad collections held by cultural heritage institutions all over the world."

It will certainly be interesting which cultural institutions choose to make their photo collections available through The Commons. As many institutions derive revenue from granting permission to use their photographs for a fee, I wonder to what degree this project will take off beyond the Library of Congress...

CAMT to Attend Nonprofit Technology Conference

CAMT team members will attend NTEN's Nonprofit Technology Conference in New Orleans, LA, March 19-21, 2008. The theme of this year's conference is "Building Community," and CAMT will be connecting with members of the arts community throughout the week. If you are planning to attend the NTC and wish to meet with a CAMT team member in New Orleans, please email us.

You Got Served... Digitally

We discussed DanceJam, MC Hammer's new online dance community, in episode 30 of our podcast. Well, the beta version of DanceJam is officially open, and users can start publishing videos of their killer moves.

DanceJam, which self-promotes as the "largest dance floor on the planet," allows users to seek out and learn a specific dance, share their own videos and even engage in online dance battles. Now you can make a fool of yourself to a much wider audience than just your parakeet and life-sized cutout of John Wayne.

DanceJam screenshot

While DanceJam is certainly aimed at the hip-hop dance crowd, this seems to be the first major dance community geared toward learning and sharing. This is another example of a site and concept to which arts organizations should be paying close attention.

Yes, DanceJam cost millions of dollars to design and develop, but there are affordable ways for arts organizations to collaborate, share and educate. For instance, a dance organization could offer tap lessons as an online series through YouTube and link to the videos from their Web site. Or a literary organization could offer online poetry slams and ask visitors to pick the winners, who could then be featured artists in a spotlight section of the organization's Web site. Just some thoughts...

The point is that arts organizations should continually be reviewing the online practices of for-profit ventures and creatively copying whenever possible.

The Good...& Just the Ugly

Online artist registries are ubiquitous nowadays. In lieu of or in addition to a personal web site, they are a great way to make your work as an artist available to the larger world. Some are open to all, while others are curated by discipline, geographic region, quality of work, etc. I participate in several registries as an artist, but my hands-down favorite is the Irving Sandler Artists File offered by Artists Space in NYC. Developed by artist/former staffer Letha Wilson and her colleagues, the registry went online a couple of years ago with great success. It is free, uncurated, and still fulfills its primary mission marvelously: to showcase artists, their work, and ideas. Plus, the user-friendly search interface enables you tag selected artists and add them to your online portfolio for further review.

Other registries, however, are far less successful. A perfect example of what not to do is Saatchi Online. It is poorly designed, an aesthetic disaster really, and attempts to do too many things for too many people. I question if this registry is even really for/about the artist community. Ambition can be good thing, but never mission creep.

Artists: Be selective about the context in which you show your work. Context always has a profound impact on how your work is perceived and understood. Weigh the pros and cons, and choose wisely.

Hazardous Sites

Good news: Alfred Jensen is now posted on Wikipedia. I worked on a new page for him last night. Creating a new "article", as Wikipedia terms it, however, is no easy feat. It took me a good 30 minutes just to figure out how to post new content. Wikipedia's interface could use a major ergonomic overhaul. Interface aside, I learned one critical thing from posting. It takes a lot of TLC to create an accurate, informative artist profile. After an hour, I barely had any content posted on Jensen. More work to come for sure.

Today's project of note is Superfund365, a web site conceived, designed, and produced by NYC digital media artist Brooke Singer. This project is total sensory overload, in the best possible way. Launched on September 1, 2007, it is part data mapping / part alert system and focuses on toxic sites currently active in the Superfund program run by the U.S. Environmental Protection Agency (EPA).

Superfund365 profiles one site per day and is slowly making its way across the country from NYC to Hawaii. Today, for instance, the web site profiles MRI Corp (category: industrial waste), a former tin scrap operation based in Tampa, Florida. Information provided on the site includes geographic location, hazardous ranking relative to other sites, clean-up costs when available, site description, timeline, and a kind of interactive pinwheel of contaminants. This was one of the coolest visualizations. The information is thoroughly immersive and guaranteed to send chills up your spine.

Singer has also confronted other tough issues in previous projects, including post-9/11 clean-up in Lower Manhattan, oil consumption by the United States, and camera surveillance, among others. I admire her seamless merger of the socio-political, aesthetic, and technological. We need more artists like her fighting the good fight.

Drop Serious Knowledge

First off, many thanks to David Dombrosky and the fantastic crew at CAMT for inviting me to guest blog on Technology in the Arts. What a luxury to share my thoughts with you! Lately, I've been thinking about individual artists and how they're often the first to step forward and serve the community of artists. This, of course, is not a new phenomenon, but I've recently seen some compelling projects, some web-based, others enabled by technology, that deserve highlighting. This will be my focus through the end of February.

Artist Steve Lambert Artist Steve Lambert

Here's a cool lead off project. On January 26, 2008, visual artist Steve Lambert (b. 1976, Los Angeles) initiated the first Art WikiMarathon. His goal was to "drop serious knowledge in Wikipedia about art", including information on artists, exhibitions, organizations, etc. For eight straight hours, volunteer collaborators from around the globe sat at their laptops and collectively fed their knowledge into this public resource. More than 90 new entries were posted. Some personal favorites among the new additions include Karen Finley, Paul McCarthy, and John McCracken.

This is a great start, but just the beginning. There are thousands of other artists, especially living ones, that still need to be added. I encourage each of you to continue what Lambert started and add just one more artist to Wikipedia. Who do you find most compelling? I wrote my graduate thesis in art history on painter Alfred Jensen (b. 1903, Guatemala; d. 1981, New Jersey) and his work has captivated me for more than a decade. I just did a search for him on Wikipedia and guess what? He's not in there. And I'm going to get on it asap. We only have two choices here: either drop serious knowledge, or serious knowledge will be dropped.

Let me know if you add anybody to Wikipedia.

Introducing Spotlight Blogger - Matthew Deleget

While I know how much you love reading posts from the Technology in the Arts team, we decided to expand and deepen the dialogue around technology and the arts by inviting colleagues from the arts administration field to share their technology-related thoughts, tips, and discoveries as spotlight bloggers. To kick things off, we are delighted to introduce this month's spotlight blogger -- Matthew Deleget. In his capacity as the Managing Officer of the Information and Research Department at the New York Foundation for the Arts (NYFA), Matthew oversees all of NYFA's information programs, including the NYFA Web site, online classified listings, online artist gallery, biweekly arts magazine, and NYFA Source - the nation's most comprehensive database of programs for artists.

You may remember Matthew from the session he presented at the 2006 Technology in the Arts Conference on "Redefining an Artist Community via the Web," where he discussed MINUS SPACE, an online curatorial/critical project he co-founded with Rossana Martinez to present reductive, concept-based art by international artists.

In addition to his work as an arts administrator, Matthew is a working visual artist who has exhibited his work both nationally and internationally. He has received awards from the American Academy of Arts & Letters as well as the Brooklyn Arts Council. In 2004, he was elected to membership with the American Abstract Artists, and in 2005, to the Artists Advisory Committee of the Marie Walsh Sharp Art Foundation. His work has been reviewed in Flash Art Magazine, Artnet Magazine, The New York Times, The Philadelphia Inquirer, Basler Zeitung, and New York Arts Magazine. His work is included in the collections of the Saint Louis Art Museum, Fidelity Investments, Brown Rudnick and Pratt Institute, and others.

Please, join us in welcoming Matthew to the Technology in the Arts blog!

The Digital Museum - A New Book and Upcoming Webinar Series

The Digital Museum (cover)Recently, the American Association of Museums published The Digital Museum: A Think Guide, in which twenty-five leading thinkers in the fields of technology and museums explore the impact of new technology on all aspects of museum operations, from interpretation to conservation. Topics range from the use of handheld devices, websites and digital games to open source technology and real-time learning. Beginning on Tuesday, February 12, AAM will launch "The Digital Museum: Transforming the Future Now" - a four-part series of monthly webinars further exploring areas identified in the publication and facilitated by leading practioners in the field. According to AAM, "The Digital Museum webinar series will help you explore how recent innovations in technology are transforming museum operations of every kind, from exhibitions and content delivery to education, audience evaluation, and institutional planning."

For more information on each webinar and to register for the series

A Good Cause

Today's post isn't arts-related, but all of us in the not-for-profit world are interested in supporting a good cause when we hear of one. Beth Kanter, fellow nonprofit technologist and author of Beth's Blog, asked me to share a link to an online campaign she's involved with, Route Out of Poverty for Cambodian Children.

Case Foundation, Parade Magazine and GlobalGiving are offering $50,000 to the campaign that can raise the most through unique donations will score 50 G's for their charity!

From Beth:

"Right now we're in second place with 7 more days to go.  I'm reaching out to my network to ask if they will blog or twitter about the campaign and ask their networks to contribute the minimum donation of $10. The contest ends on January 31."

Click here to read more about Route Out of Poverty and contribute now!

Instant Messaging in the Workplace

A few years ago at my previous job, I engaged in a debate with some colleagues over whether or not we should set the staff up with the ability to send instant messages (IMs) to one another. I argued that instant messaging would allow us to communicate with each other more efficiently, but my boss argued that instant messaging would reduce productivity and weaken the staff's interpersonal connections. Needless to say, my boss won out. Not that I was bitter about it. When I transitioned to my current position with the Center for Arts Management and Technology, I was pleasantly surprised to learn that the staff had incorporated instant messaging into the office's culture. Rather than calling each other's extensions or sending short e-mails back and forth, staff members send brief IMs to one another. In fact, instant messaging proved to be quite a valuable tool during my job transition. I frequently used IMs to ask questions of and gain clarity from my predecessor.

So has my experience with work-related instant messaging validated my argument from years ago and proven my boss wrong? Yes...and no.

Instant messaging has indeed proven to be wonderful tool for informal workplace communication - asking brief questions, sending quick reminders, sharing internet links, etc. The real-time rapid exchange not only fosters an immediacy of communication, but it also gives the user the feeling that they are engaging in a more personal conversation than e-mail. Correspondingly, the personalities of the users are often infused into the exchange. Rather than weakening interpersonal connections, instant messaging can actually strengthen these connections by providing the messengers with a personal medium for communication.

It hasn't replaced my use of e-mail or face-to-face meetings, but instant messaging has changed how I use these other means of communication with my colleagues. Now, I tend to use e-mail for formal messages as well as messages containing important details or information that the recipient may need to access later. While I still chat informally with colleagues in-person, a great deal of my face-to-face meetings with co-workers are used for brainstorming, problem solving and other collective business activities.

Now for the "No" part. I must admit that I do feel some pressure to interrupt my work throughout the day to answer instant messages as they appear, and it has impacted my productivity to some degree. There is a solution for this. I can change my online status to indicate that "I am currently unable to reply," or I can log out.

It sounds so simple, yet it truly requires a shift in my work habits. Over the years, I have developed the habit of responding immediately to incoming email and IMs. (I also do this with returning voicemail and answering incoming phone calls.) Now, I realize that in order to focus on particular tasks and work items, I need to turn off my IMs, close my email and turn off the phone. After all, if it's really important, they'll leave a message... Right?

Related items:

Art for art's sake

[Writers note: apologies are given in advance for the blatant lack of technology talk in this post.] A couple weeks ago, I was a panelist at an Americans for the Arts "Creative Conversation" here in San Francisco. We were hosted at the lovely Brava Theater Company in the Mission. A group of passionate arts administrators, we sat in a circle on the stage and discussed a wide range of topics including collaboration, community engagement, grass roots initiatives, lobbying and activism.

And, of course, we discussed obtaining funding for the arts. How do you make a compelling case? How do you get people on board? How do you educate folks about your programming? And, inevitably... the question that is always raised when we talk about raising money for our field: what are the ACTUAL benefits of the arts?

Reporting Live from AFTA’s National Arts Marketing Project Conference

Well, I’m down in sunny, breezy Miami, FL, enjoying the warm weather and the Americans for the Arts NAMC. It’s been a busy two and a half days of conferencing, and I just wanted to take a minute and share a few cool things I’ve learned while here:

  • According to a survey conducted this past March by FireSpring (I think), when asked whether they use a particular medium more or less this year than the last, an average of 52% responders indicated that they were using the Internet more. Every other medium (radio, print, newspapers, television) all showed a decrease. Now, more than ever, organizations must put time, money and deep consideration into their Web presence.
  • The Philadelphia Orchestra is working in conjunction with Internet2 to stream real time content into educational venues around the world, giving viewers an inside and behind the scenes look into the concert unfolding live before their eyes. The have completed a pilot program, and plan to launch a more wide-spread, sustainable program soon. For more information, you can read their press PDF by clicking here.
  • Bijan’s on the River here in Miami makes a HUGE plate of paella (6’ or 7’ wide?) for parties. It was spectacular.

Well, that’s all for me. I’ve got to grab a bite, hop on a flight, and head back to wonderful, but cold, Pittsburgh, PA.

For more information about AFTA's NAMC, please visit: http://www.artsusa.org/events/2007/abc/namc/default.asp

Technology in the Arts: Post-Conference Wiki

Elizabeth Perry, one of our Technology in the Arts 2007 presenters, was kind enough to set up a wiki site for post-conference discussion. You can access the wiki at http://tita.pbwiki.com/.

The site is public, and the password is tita2007.

Please post any interesting conference follow-up information. If you were a presenter this year, please also post a way for people to access your session content. A great way to do this is by using SlideShare. It's easy... and free!

Building a Home on the Web

The National Museum of African American History and Culture has built is home on the Web, years before it actual finishes construction on its physical home (scheduled to open in Washington, DC, in 2015). The site is a great example of using the Web for community building. Most interestingly, they have developed a Memory Book, which allows site visitors to contribute stories, thoughts, photographs, and any other insights they have. The NMAAHC also has posted several audio interview samples from its StoryCorps Griot, which aims to collect and present the voices, experiences and life stories of African Americans.

http://nmaahc.si.edu/

NYT article about Second Life

Check out this article in today's New York Times about the Royal Liverpool Philharmonic's performance in Second Life. For $16,000, the orchestra built a concert hall over two "sims" (parcels of land) and produced a concert, the music of which can be reused any time thanks to a new contract with the musicians. As the article states, using Second Life as an outreach/programming activity in the classical music realm is still "bleeding edge"... the conductor Michael Tilson Thomas calls it a "stunt phase." Still, if we can reach new audiences and put the traditional arts in places that make them accessible to new audiences, I say let's do it!