As the video game industry continues to grow, Hollywood studios are capitalizing on this intellectual property (IP) success through film and television adaptations. Students from Heinz College’s Master of Entertainment Industry Management program sought to better understand the current market for these adaptations. In Part II, see what film and video game executives consider to make an adaptation successful. Additionally, through a survey of gamers and non-gamers, learn what potential audiences prefer to see.
Colonialism has consistently been a force in the global purview, including the technological space. In recent years, the expansion of artificial intelligence has vastly increased corporations’ global influence. As the world’s technologies continue to advance and innovate, individuals must keep a watchful eye on the ways in which digital colonialism might repeat harmful practices from the past.
Due to the popularity and booming business of video games, Hollywood studios have capitalized on popular game titles by developing new content based off of their intellectual property (IP). This study sets out to better understand video game IP’s impact on film and television markets and what specific elements might impact an adaptation’s success.
Sustainability and AI were at the forefront this year at the American Alliance of Museums (AAM) Future of Museums Summit. What role will museums play in creating climate-friendly communities? And how can AI be used to maximize efficiency, increase accessibility, and deepen engagement? Read key conference takeaways from Xueer Ho and Dr. Brett Ashley Crawford.
An overemphasis on data-driven work within the nonprofit sector has been shown to result in cycles of disempowerment, driven by third-party data demands of funding bodies.. This compounds due to the many market orientations nonprofits need to adopt, particularly prevalent among the arts. A key to navigating these markets and funder requirements lies in identifying a specific data culture best fit for your organization and investing in resources and training in order to achieve that framework sustainably.
Through the Art Collection Search, people can now browse the Carnegie Museums of Arts' collection online. I think this is a perfect segue to our Successful Digitization Projects Funded by the IMLS presented at the conference in October. After resolving some of their copyright issues, and following up on the statute of limitations for art (the artist's death + 70 years) the site is up!
No registration is required. Just go to the website and browse!
British newspaper The Guardian is known for its famously difficult quizzes. Test your musical and historical knowledge with this pop quiz, written for a gala at London's Royal Opera House. After you submit your responses, the Guardian will display the correct answers. Study up and impress your friends with your newfound knowledge of obscure trivia.
This week, the Metropolitan Opera announced it will broadcast live performances to movie theaters in the US, Canada, and Europe. The Met also plans to make more than 1,500 historical recordings available online through Rhapsody, a digital on-demand audio and video subscription service. Now that the Met has the rights to distribute both new productions and historic broadcasts on virtually all electronic formats, opera lovers can even watch streaming video of performances on the opera company's website. Read the full article here.
A growing number of opera companies are using technology to reach out to new audiences. According to DRoxy, a digital radio blog, the British opera company Hatstand Opera was the first to release opera podcasts, with its first edition of Podopera in the summer of 2005.
Pittsburgh recently ranked 19th on a list of smart cities based on the percentage of its population age 25 and up with bachelor's degrees or higher. CNN.com featured a column today citing the recent U.S. Census Bureau rankings, released this month.
Call us "blue collar" all you like, but this city has brains to go with its brawn.
This article, details how computer scientists from the U.S. and Britain have created an artwork whose palette will correspond to facial cues of an observer.
Oddly enough, the painting will turn somber when a frown is perceived or become playful when smiles are observed. I think they got it backwards; they should have made gruesome scenes when a face is observed to happy and vice versa... Just to keep the observers on the edge. Plus, do we always have to reinforce that happy is red and yellow, and sadness is blue and purple?
What I am waiting for is the ultimate marketing gimmick: the painting that changes all the time until it picks up on a smile, upon which time it stays stagnant. That way- the painting will be individually pleasant to everyone.
I read a great article on Wired.com today about a new book by neuroscientist Daniel Levitin called This is Your Brain on Music: The Science of a Human Obsession. The book discusses our neurological reaction to music and examines why humans have loved music since cavemen were banging stones together. (Okay, I'm just assuming cavemen banged stones together for musical entertainment... that's not necessarily scientific fact.)
As we concentrate on the many ways arts managers are using technology innovatively, we should not ignore the fact that artists are also taking advantage of technology. A recent 'Wired' article features the Edgetone Music Summit, a four-day San Fransisco Bay event dedicated to experimental sound.
This might be my inner old man talking, but I'm wondering if a lot of technology-based "music" isn't just noise.
I came across Hexagram while searching for arts and technology related material. Lucky them, they just won a fat grant from their mother state. Hexagram reaps rewards and recognition
Check out some of their projects. Hmmmm... Maybe they would be interested in presenting a session on technology based art???
More great reasons to visit Pittsburgh this fall...the museums, pleasant autumn weather, and Technology in the Arts. For our out of town guests, sadly you'll miss the exhibition “Fierce Friends: Artists and Animals, 1750-1900” featured in the New York Times this week, but you will have an amazing choice of exhibitions to explore if you so desire. The Carnegie Museum of Art and Museum of Natural History are less than a five minute walk away from the Carnegie Mellon University campus. You can read more about upcoming exhibitions by clicking one of these links:
Carnegie Museum of Art schedule of exhibitions
Carnegie Museum of Natural History schedule of exhibitions
Or if you prefer to sit in a quiet area and decompress, visit the main branch of the Carnegie Library, also within walking distance from the conference.
As an aside, I'm from Texas where there are only two seasons: "humid" and "hot". Fall is a great time to be in the 'Burgh, especially for those of us from warmer climates...who knew seasons actually changed?! Last October, I saw for the first time in my life the changing of seasons from summer to autumn. It was a truly amazing display of color and shape, and perhaps something taken for granted by people who have seen it many times. May this October in Pittsburgh also bring you unexpected beauty.
Interact with Other Artists / Buy & Sell Artwork Like Never Before The Vision Grove is more than an online art gallery. Here you can also get involved in a vibrant art community and interact with artists and buyers from all over the world.
It begins with the above subheading... emphasizing the community aspect of the site, but then the release continues to inflate the sales potential of an online gallery. Although I understand the that the E.D. is directing his business to attract people interested in sales, the mission on his website seems to suggest the opposite:
From the press release: "The reasoning behind using art communities is fairly obvious: absolutely no pressure, gorgeous original art for sale, and instant connections with top-quality buyers and sellers."
From "Our Philosophy," it doesn't mention the sales opportunities once... It references an idea of growth.
I think this person is making the mistake of focusing on sales. The sales will happen through networking... but I doubt online. Art is about a tranformative experience. I cannot fathom the idea of buying a piece of art without having it in front of my face. Moreover, lots of artists like to establish relationships with the people they sell to, and vice versa. Art enthusiasts bask in a glory of superstarness when they can say they "know" the artist. Will this be accomplished over a web portal? I doubt it.
The website is sophisticated and clean... a rendition of a visual artist MySpace. The E.D. should generate enthusiasm about the aspect of networking and community and let the sales happen on their own. Web art communities are great and I think tech-saavy artists would really embrace this type of support. If it develops organically and with integrity, website advertisers will find their niche as it's represented on the site- not as it's projected.
What other web art communities are out there? Could we do something like this locally, with each arts agency acting as a host... beyond artist rosters?
