Current — AMT Lab @ CMU

David Dombrosky

SlideShare - the largest community for sharing presentations

So after the Technology in the Arts: Canada, we were posting presentations and resources from the conference when we ran into a slight snag. A number of the PowerPoint slide presentations were too large to e-mail. At first, I recommended that the presenters use a large file transfer site, but then a colleague showed me the virtues of SlideShare. SlideShare allows you to:

  • Embed slideshows into your own blog or website.
  • Share slideshows publicly or privately.
  • Synch audio to your slides.
  • Market your your event on slideshare.
  • Join groups to connect with SlideShare members who share your interests
  • Download the original PowerPoint / Pdf file

For example, here's the embedded version of Linda Roger's presentation "Virtual Concerts in the Park" from last week's Technology in the Arts: Canada conference:

Did I mention that SlideShare is free? With all of the arts conferences and presentations I have attended over the years, it's amazing that I had not heard of this resource. I can't wait until I get to play PowerPoint Karaoke!!

2008 MUSE Awards Announced

Now in its 19th year, the MUSE awards competition recognizes outstanding achievement in museum media. The competition is an activity of the Media and Technology Standing Professional Committee of the American Association of Museums.

The MUSE Awards competition received nearly 180 applications from a wide variety of museums in North America, Europe, Australia and Asia. Entries included audio, cell phone, and interactive handheld tours, interactive kiosks and multimedia installations, podcasts, blogs, games, websites, online collection and image databases, videos, and e-mail marketing campaigns.

Thirty eight judges – museum and media professionals from across the county – were involved in the process of selecting the winners. Winning entries were expected to demonstrate outstanding achievement in content quality; interface design; functionality; production quality; visual appeal; the user’s experience; and the intent to which new directions were charted or old challenges resolved through technical innovation. A complete list of judging criteria and MUSE Award winners can be found on the Media and Technology website.

Stage is set for Technology in the Arts - Canada

This week\'s Technology in the Arts - Canada will feature a virtual panel in Second Life on Saturday morning.

Everything is ready for tomorrow's conference.  Brad starts off the conference with his podcasting workshop in the morning; Josh teaches an afternoon session on content management systems; and I bounce around throughout the day to make sure session leaders have everything they need.

If you are not able to join us in person, perhaps you can attend a virtual panel session in Second Life.

The image above shows the set for Saturday's panel being held in Second Life on "Virtual Concerts in the Park" which you can attend in Second Life on Saturday at 8:00AM SLT (Second Life Time = Pacific Time) by going to this SLURL - http://slurl.com/secondlife/Sea%20Turtle%20Island/46/26/22/ - which will take you to the telehub behind the amphitheatre.  Hope to see you there!

OPEN NOW! - The Power of the Subject Line

Recently, I attended a webinar from Patron Technology on how to effectively use the subject line in e-mail marketing messages. And they should know! Patron Technology, a sponsor of the 2008 Technology in the Arts Conference, has been on e-mail marketing with arts organizations for years with its PatronMail service. Why does the subject line matter?

According to Christine Blodgett at Patron Technology, "The subject line IS the marketing message. It is your first point of contact with an e-mail recipient. If they don't like it, then they won't open it. If they don't open it, then it won't produce the desired effect."

A recent survey conducted by Return Path reveals the subject line to be the third most important factor for determining whether or not someone will open an e-mail marketing message.

So how do can we best harness the power of the subject line?

Make every word matter - When you look at your inbox list, how many words do you typically see in the subject line? Not very many, right? So:

  1. Keep it concise - Under 50 characters (approximately 7 to 10 words)
  2. Pay attention to word placement - Place incentivizing phrases ("Free tickets for.."), time-based phrases ("Last chance to..."), and informative labels ("______ Monthly Bulletin") toward the beginning of the subject line.
  3. Be clear - Tell them what's inside. Make sure the content promised in the subject line is easy to find in the e-mail.
  4. Be honest - DON'T oversell it!
  5. Be consistent - If you have a type of message that you send out on a regular basis (like an e-newsletter), make sure to label them in a consistent way so that recipients will easily recognize them in their Inboxes.

"Guitar Hero" for Orchestral Music

Have you ever wondered, "Wouldn't it be great if someone created a 'Guitar Hero'-styled game for other forms of music?" Well, Immersion Music, Inc., a nonprofit arts organization located in the Boston area, has done just that with the game Virtual Maestro.

According to an April 13th article on PittsburghTrib.com, "Two 'Virtual Maestro' exhibits have been appearing in concert-hall lobbies across the [United States] since November as part of a project created by Swiss banking giant UBS, which often sponsors classical music events and organizations, to increase interest in classical music..."

Bravo!

Deadline Approaching for the 2008 Mellon Awards for Technology Collaboration

An announcement from the Mellon Foundation: The deadline for nominations for the 2008 Mellon Awards for Technology Collaboration (MATC Awards) is April 14, 2008. The MATC Awards consist of up to ten $50,000 or $100,000 prizes, which a receiving institution can use in a variety of ways to continue its technology leadership. The awards honor not-for-profit institutions that have demonstrated exemplary leadership in the development of open source software for one or more of the constituencies served by The Andrew W. Mellon Foundation: the arts and humanities in higher education; research libraries, museums; performing arts organizations; and conservation biology.

An online nomination form and more information may be found at http://matc.mellon.org. The nominations are public: the community is invited to visit the site and comment.

Wired.com's Semi-Monthly Photo Contests

The folks at Wired.com have decided to host a series of semi-monthly photo contests for reader-submitted photography. I have been really impressed with the photography that has been submitted. Check out submissions for their current photo contest "Show Us Your Best Night Photo." Maybe I should submit this photo from the 2008 Toronto Winter Festival?

They just wrapped up a contest for reader self-portraits and posted the top photos as determined by Wired.com's photo department as well as the readers' picks for best self-portrait.

Wired.com is using a Reddit widget as the upload mechanism for their readers' photo submissions. Of course, Conde Nast Publications (Wired's parent company) owns Reddit - so they got to use the widget for free; but other organizations could use a simple contact form wherein the applicant places information and a link to their photo on Flickr or Photobucket .

What a great way for magazines, museums, galleries, art centers, and other organizations with a visual art connection to engage their audience and acquire user-generated content!

2008 NTEN Nonprofit Technology Conference

Today kicked off the 2008 NTEN Nonprofit Technology Conference in New Orleans, Louisiana. On my way toward downtown, I took this photo of Jackson Square on my cell phone.

I spent about three hours in the Science Fair (normally called an "exhibit hall" at other conferences) absorbing as much as I possible could about the various technology product and service providers who work with nonprofit organizations. I met some people doing really wonderful work, and I hope to introduce them to you as sponsors for our 2008 Technology in the Arts Conference in October! Click here for a list of companies in residence at this year's Science Fair.

After the Science Fair, I went to dinner with my fellow CAMT teammates Haebin and Guillermo, who wanted to find a place to get seafood and alligator. We ended up at the Cajun Cabin on Bourbon Street. Check out Haebin playing the spoons with the restaurants cajun/zydeco band!

After dinner, we ventured further into the wilds of the French Quarter. It turns out the Haebin has an fun-loving inner rock star who just had to get up onstage at the Cat's Meow to do a karaoke rendition of "Girls Just Want to Have Fun." Cyndi Lauper would have been proud.

On my walk back to the hotel, I passed an interesting gallery on Royal Street and took a photo of this large scale facial sculpture.

Day One - Thumbs up for me.

Library of Congress Partners With Flickr

The U.S. Library of Congress has formed a partnership with the photo-sharing site Flickr to make more than 3,000 historical photographs from accessible to the public. As reported in a recent issue of Avisio from the American Association of Museums, "The photographs are from two of the Library of Congress's most popular collections, the George Gratham Bain News Service and the Farm Security Administration/Office of War Information. They include high-resolution images—with no known copyright restrictions—of newsworthy events in the 1910s and color photographs from the 1930s and 1940s." The collection is housed in an area of Flickr called The Commons, wherein the site claims, "These beautiful, historic pictures from the Library represent materials for which the Library is not the intellectual property owner. Flickr is working with the Library of Congress to provide an appropriate statement for these materials. It's called 'no known copyright restrictions.' Hopefully, this pilot can be used as a model that other cultural institutions would pick up, to share and redistribute the myriad collections held by cultural heritage institutions all over the world."

It will certainly be interesting which cultural institutions choose to make their photo collections available through The Commons. As many institutions derive revenue from granting permission to use their photographs for a fee, I wonder to what degree this project will take off beyond the Library of Congress...

Introducing Spotlight Blogger - Matthew Deleget

While I know how much you love reading posts from the Technology in the Arts team, we decided to expand and deepen the dialogue around technology and the arts by inviting colleagues from the arts administration field to share their technology-related thoughts, tips, and discoveries as spotlight bloggers. To kick things off, we are delighted to introduce this month's spotlight blogger -- Matthew Deleget. In his capacity as the Managing Officer of the Information and Research Department at the New York Foundation for the Arts (NYFA), Matthew oversees all of NYFA's information programs, including the NYFA Web site, online classified listings, online artist gallery, biweekly arts magazine, and NYFA Source - the nation's most comprehensive database of programs for artists.

You may remember Matthew from the session he presented at the 2006 Technology in the Arts Conference on "Redefining an Artist Community via the Web," where he discussed MINUS SPACE, an online curatorial/critical project he co-founded with Rossana Martinez to present reductive, concept-based art by international artists.

In addition to his work as an arts administrator, Matthew is a working visual artist who has exhibited his work both nationally and internationally. He has received awards from the American Academy of Arts & Letters as well as the Brooklyn Arts Council. In 2004, he was elected to membership with the American Abstract Artists, and in 2005, to the Artists Advisory Committee of the Marie Walsh Sharp Art Foundation. His work has been reviewed in Flash Art Magazine, Artnet Magazine, The New York Times, The Philadelphia Inquirer, Basler Zeitung, and New York Arts Magazine. His work is included in the collections of the Saint Louis Art Museum, Fidelity Investments, Brown Rudnick and Pratt Institute, and others.

Please, join us in welcoming Matthew to the Technology in the Arts blog!

The Digital Museum - A New Book and Upcoming Webinar Series

The Digital Museum (cover)Recently, the American Association of Museums published The Digital Museum: A Think Guide, in which twenty-five leading thinkers in the fields of technology and museums explore the impact of new technology on all aspects of museum operations, from interpretation to conservation. Topics range from the use of handheld devices, websites and digital games to open source technology and real-time learning. Beginning on Tuesday, February 12, AAM will launch "The Digital Museum: Transforming the Future Now" - a four-part series of monthly webinars further exploring areas identified in the publication and facilitated by leading practioners in the field. According to AAM, "The Digital Museum webinar series will help you explore how recent innovations in technology are transforming museum operations of every kind, from exhibitions and content delivery to education, audience evaluation, and institutional planning."

For more information on each webinar and to register for the series

Stanford Lively Arts Strikes a Deal with iTunes

Stanford Lively Arts, Stanford on iTunes U and iTunes have launched a new promotion that will allow Stanford University's faculty, staff, students and Lively Arts patrons to download music by artists featured in the upcoming Lively Arts season using free iTunes gift cards. From now through March 15, the cards will be made available to patrons at all Lively Arts performances and to customers at the Stanford Bookstore, Tresidder Express, the Track House Sport Shop, the Cantor Arts Center Gift Shop and the Stanford Shop at Stanford Shopping Center. Lively Arts plans to mail the cards to Stanford students, faculty and staff in early February and will make the cards available to its community partners, including the Palo Alto Unified School District and East Palo Alto's educational program College Track.

The first Lively Arts event where patrons received the iTunes gift cards was the Merce Cunningham Dance Company's performance on Friday, Jan. 25, which featured a new work with music by composer Mikel Rouse titled eyeSpace. During the performance, the audience used iPods distributed at the theater to select and personalize the music that accompanies the dance. Rouse's music is also on the gift card.

In addition, the card will include music of the Jazz at Lincoln Center Orchestra with Wynton Marsalis, Blind Boys of Alabama, Meridian Arts Ensemble, Academy of Ancient Music, Turtle Island Quartet, Rosanne Cash, Kronos Quartet, Rob Kapilow and the Pacifica Quartet. Recipients of the cards will be able to download complete tracks from the artists at no charge until they expire on March 31.

This is iTunes' second such promotion with the performing arts at an educational institution. The first was with the University of Illinois' Krannert Center in September 2007. With all of the performing arts centers located at colleges and universities throughout the nation, I wonder if this is beginning of a new trend in the presenting and touring industry. It strikes me as a great way to use iTunes as an audience development tool.

Sundance: Art Meets Tech in Park City

Brad and I are in Toronto working with our colleagues in the Great North on developing the content for the Technology in the Arts - Canada conference for May 9 & 10 in Waterloo. During a few moments yesterday when I hit the streets with my Visa (aka shopping), Teresa Hollingsworth from the Southern Arts Federation called me to give me her celebrity sightings report from the Sundance Film Festival. Once my petty jealousy cooled down, I wondered what interesting intersections of art and technology were taking place at Sundance this year. Here's what I've learned:

  • Last year, Sundance opened a screening room in Second Life with the indie film Four Eyed Monsters. The festival continued using its SL screening room this year with the premiere of Lynn Hershman's new movie Strange Culture featuring Tilda Swinton and Thomas Jay Ryan portraying the true story of Steve Kurtz.Synopsis: In 2004 artist and college professor Steve Kurtz was preparing for a MASS MoCA exhibition that would let audiences test whether food has been genetically modified when, days before the opening, his wife tragically died of heart failure. Distraught, Kurtz called 911, but when medics arrived, they became suspicious of his art supplies and called the FBI. Dozens of agents in haz-mat suits sifted through his home and impounded his computers, books, cat, and even his wife's body. The government held Kurtz as a suspected bioterrorist, and, nearly three years later, the charges have not been dropped. He still faces up to 20 years in prison. Because he is legally barred from comment, the movie uses actors as avatars to tell this story of contemporary art, science, politics and paranoia. � Click here for Variety's review of the film
  • Continuing in the Second Life vein, this year the festival premiered "Invisible Threads" by Stephanie Rothenberg, a new media performance artist, and her collaborator, Jeff Crouse, a digital artist and programmer. "Invisible Threads" is a virtual sweat shop that produces real-life, custom-ordered, personalized blue jeans. The project is intended as art, but the creators see it as a window into so-called "telemetric manufacturing methods of the future."“What I think is fascinating about her work is that it is a step towards what our future is going to be,” said Jeffrey Winter, a panel programmer for the Sundance Festival who focuses on media, art and technology. “It’s called art now, but in the future it’s going to be how you get your jeans. It will be daily life. So often what you call art is just people who see the future before the rest of us do.”
  • Sundance also premiered a landmark in DIY cinema -- the first solo computer-generated animated feature. M Dot Strange (nee Michael Belmont) -- writer, director, editor, producer and animator of We Are the Strange -- is the first YouTube filmmaker to hit Sundance's big screen.Synopsis: Blue is a young girl navigating the streets of a terrifying, sinister fantasy world all alone. When she meets Emmm, a fellow lost soul, she joins him on a quest for some ice cream. Upon arriving, they realize the ice cream shop has been taken over by dark forces, and the whole city is teeming with evil. Bizarre monsters surround Blue and Emmm on all sides until Rain, a sadistic hero, arrives to rescue them and exterminate the source of the evil. More about the film and filmmaker

Okay, now I am more jealous. Next year, Teresa definitely has to take me with her to Park City!

Instant Messaging in the Workplace

A few years ago at my previous job, I engaged in a debate with some colleagues over whether or not we should set the staff up with the ability to send instant messages (IMs) to one another. I argued that instant messaging would allow us to communicate with each other more efficiently, but my boss argued that instant messaging would reduce productivity and weaken the staff's interpersonal connections. Needless to say, my boss won out. Not that I was bitter about it. When I transitioned to my current position with the Center for Arts Management and Technology, I was pleasantly surprised to learn that the staff had incorporated instant messaging into the office's culture. Rather than calling each other's extensions or sending short e-mails back and forth, staff members send brief IMs to one another. In fact, instant messaging proved to be quite a valuable tool during my job transition. I frequently used IMs to ask questions of and gain clarity from my predecessor.

So has my experience with work-related instant messaging validated my argument from years ago and proven my boss wrong? Yes...and no.

Instant messaging has indeed proven to be wonderful tool for informal workplace communication - asking brief questions, sending quick reminders, sharing internet links, etc. The real-time rapid exchange not only fosters an immediacy of communication, but it also gives the user the feeling that they are engaging in a more personal conversation than e-mail. Correspondingly, the personalities of the users are often infused into the exchange. Rather than weakening interpersonal connections, instant messaging can actually strengthen these connections by providing the messengers with a personal medium for communication.

It hasn't replaced my use of e-mail or face-to-face meetings, but instant messaging has changed how I use these other means of communication with my colleagues. Now, I tend to use e-mail for formal messages as well as messages containing important details or information that the recipient may need to access later. While I still chat informally with colleagues in-person, a great deal of my face-to-face meetings with co-workers are used for brainstorming, problem solving and other collective business activities.

Now for the "No" part. I must admit that I do feel some pressure to interrupt my work throughout the day to answer instant messages as they appear, and it has impacted my productivity to some degree. There is a solution for this. I can change my online status to indicate that "I am currently unable to reply," or I can log out.

It sounds so simple, yet it truly requires a shift in my work habits. Over the years, I have developed the habit of responding immediately to incoming email and IMs. (I also do this with returning voicemail and answering incoming phone calls.) Now, I realize that in order to focus on particular tasks and work items, I need to turn off my IMs, close my email and turn off the phone. After all, if it's really important, they'll leave a message... Right?

Related items:

2008 AAM MUSE Awards - Applications due Jan. 11th

The American Association of Museums (AAM) Media and Technology Committee is accepting online applications for the 2008 AAM MUSE Awards until Friday, January 11, 2008. The cost is $25 per entry. The 2007 Muse Awards competition received nearly 200 applications from a wide variety of museums in North America, Europe, Australia and Asia. Entries included audio, cell phone and interactive handheld tours, interactive kiosks and multimedia installations, podcasts, blogs, games, websites, online collection and image databases, videos and e-mail marketing campaigns. This year AAM is expecting another exciting round of projects that reflect innovation in the museum media community.

Entry categories include:

  • Audio and Visual Tours
  • Extended Experience
  • Games
  • Interactive Kiosks
  • Interpretive Interactive Installations
  • Multimedia Installations
  • Online Presence
  • PR and Development
  • Teaching and Outreach
  • Video

MUSE award winners demonstrate outstanding achievement in the following areas:

  1. Success in meeting the stated educational goals
  2. Visual design
  3. Production quality
  4. Functionality
  5. Appropriate use of technology
  6. Overall appeal

Click here for more information and to apply online.

Much Ado About File Formats

The web has been buzzing this week with discussion of an issue with Microsoft Office and older file formats. Here's the gist of the issue:

  • When Microsoft came out with Office 2007, the new software blocked users from opening files created by older versions of Word, Excel and Power Point - mostly programs launched in 1995 and earlier. The change also kept users from opening some files made in Corel Corp.'s CorelDraw.
  • In September of this past year, Microsoft released Office 2003 Service Pack 3 - a free package of updates and fixes which also blocks users from easily opening the older file formats.

So why would Microsoft make it difficult for Office users to open older Office file formats?

According to Microsoft, opening these files poses a security risk. Specifically, the code that reads these older file formats may open a PC to hacker attacks.

What should you do if you ever find yourself using Office 2007 or Office 2003 updated with Service Pack 3 and needing to open an older file format?

  • You can create a trusted location and place the files there. This is documented in http://support.microsoft.com/kb/922849. It's an easier process if you're running Office 2007 than if you're on Office 2003, but it is an option.
  • You can change the default version that Office 2007 & 2003 will still open. Information on how to do this may be found here.

Granted, most of us are not regularly opening active files from 12 or more years ago.  The only files I still open that are so old are a series of poorly written poems from my undergraduate days.  Hmmmmm, maybe it's better if I don't open those after all....

End of Year Tech Lists

As we head into the final stretch of 2007, the time has come for a barrage of "end-of-the-year" lists.  Here are a few tech-related lists worth checking out: The 15 Biggest Tech Disappointments of 2007 (PC World)

30 Most Popular Stories of 2007 (PC World)

  • Okay, this list contains a plethora of other lists.  I apologize for going all "meta" on you.

The Year in Online Video (Wired)

2007 Foot in Mouth Awards (Wired)

Have a safe and happy New Year!