Jaron Keener is the Exhibition Designer and Production Manager at the Carnegie Museum of Natural History (CMNH). He has worked in the museum industry for more than seven years designing exhibits for art galleries, military and history museums, and historic houses, including the Smithsonian National Air & Space Museum in Washington DC and First Division Museum in Illinois.
ReMasterpieces is an academic research project created with two goals in mind: first, to recreate missing works of art using computer vision and machine learning and present the works to the original owners and second, to educate and empower people to find the actual missing works of art.
In our latest podcast Benjamain Sweezy, Deputy Director of Digital and Information Strategy at IMLS, discusses open data resources available through the Institute of Museum and Library Services, and the types of information that data analysis can reveal.
Data collection and communication is an essential tool for effectively managing arts organizations. Data visualization techniques can reveal organizational or industry insights in a manner which is easy for managers to understand and communicate to their stakeholders. Explore sources for open source data, and low cost, high impact data visualization tools in this new white paper.
August tends to be summer's warmest month, and the news in the arts management and technology sector was just as hot. Cuseum released a report on AR’s visitor impact, early blockchain prototypes were found in the New York Times, and the Broad Museum shared details on their upcoming smart gallery labels. Plus, if your organization hasn’t thought about Pinterest in a while, you may want to. Read on to find out more!
Peer-2-Peer (P2P) campaigns are used often among the non-arts nonprofit community in the United States. 87% of Millennials and Generation Xers are willing to use peer-to-peer for their giving. P2P is a digital fundraising platform that strengthens the relationship between donors and arts organizations. It is an interactive platform where donors can be more actively engaged with their organizations and share their contributions with their peers. If arts organizations want to build deeper relationships with donors, they should try to include P2P in their fundraising plan. The following article explains how.
We want to hear from you! What topics would you like to see this upcoming year? Whether you’re dying for some more articles on data management or angling for more posts on augmented reality, this is your chance to tell AMT Lab what you want to read.
According to the 2018 Global NGO Technology Report, over "15% of non-governmental organizations (NGOs) worldwide regularly send text messages to donors and supporters." In addition, "43% of those NGOs use a Text To Give service for SMS fundraising." These trends continue in the United States, with the mGive Foundation's 2015 Text Donation Study finding "that for 46% of donors, giving via text is a preferred method." The most popular SMS campaigns tend to favor urgent crises, with over 65% of donors giving via text supporting disaster relief organizations, followed by health institutions and human services organizations. This particular study also referenced a "Giving Gap" where people who responded that they strongly favored using text as a method of donation rarely followed through with that wish. This led mGive to conclude that "it is likely that many donors are not being given ample opportunity to make text donations."
Given this evidence, there is a want from donors for text-based giving that is not being fulfilled. Here’s how your organization can learn to meet this demand.
Did you miss last month’s news because you were taking a vacation from the internet, or travelling around the world? AMT Lab editors have compiled the highlights from last month so you can catch up quick!
As digital crowdsourced art continues as a mode of art making, it is necessary to developed an understanding of which features of digital arts programming are crucial in the engagement of digital audiences. The following analysis of four digital art projects focuses on the participatory, rather than the interactive, specifically projects wherein audiences become artists by participating in the creation of a piece of art by making one or more creative contributions. Perhaps not surprising, agency and control were identified as significant to participation.
This is the first of a series on orchestras streaming their performances. This installment centers around the audience. Orchestras have done a lot of research on who their audience is, and there is a lot of data on who streams music. This article talks through both sets of observations and find the overlap between the two.
Fundraising is a critical component of almost every nonprofit arts enterprise. This spring, the Arts Management and Technology Lab commissioned a national benchmarking analysis and survey of arts organizations on four emerging digital fundraising pathways: Text message / SMS giving, peer-to-peer portals, Facebook nonprofit tools, and mobile auction apps. The following kicks off a 5 part series that highlights the findings. This article offers specific statistics on fundraising with subsequent pieces providing details on the individual pathways and a summary of the national survey's findings.
Google has been working on arts and culture platforms for several years now. AMT Lab has been reporting on it from the beginning. This #TBT explores the early days of the Google Arts & Culture Project and how it progressed into the app explosion earlier this year where Google used the selfie function on your phone to find artwork that looks like you.
Evernote's logo is the profile of an elephant. Why? Because elephants "never forget." Evernote is an intuitive virtual solution (although it has an off-line option). It is useful for individuals and businesses and has many features that make it superior to ‘shared drives’ on locations like Google or Dropbox. The following post outlines how our team has used it, but also how Evernote is improving for businesses through its recent launch of ‘Spaces’.
As streaming becomes the most popular method of consuming music, orchestras and opera companies have an additional method of distributing their content. Which organizations are currently taking advantage of streaming and how are they using it? This raw data set helps answer those questions.