iPad Retina Display and Art Apps

Not unlike the neutrinos that were scurrying through the mountains in Europe in hopes of undermining Einstein’s Theory of Relativity, the mountainous expectations for Apple’s new iPad had been travelling the tech circles at astonishing speeds. There was much speculation about the iPad’s features, which included, but were not limited to, Siri for iPad, the absence of a home button, faster processors, higher resolution, and the faint possibility of time travel. Like the neutrinos that were mistakenly recorded at speeds faster than those of light, false assumptions regarding some of the capabilities of the new iPad were quickly discarded with its release in March. There may not be a Siri to guide us through life’s uncertainties but even so, the device is something to behold!

The incredible retina display, with its 3.1 million pixels, truly makes it something “you really have to see.” And seeing is exactly what the art world loves to engage in through the various art apps that have been developed over the past few years! The increased display performance means that as pixels dissolve into digital oblivion, artworks can be viewed in crisp detail and in their entirety.

In fact, Art Authority, one of the top apps for viewing artworks, has already upgraded its resolution to match that of the new iPad. The app claims that with retina display, seeing art on the iPad is “as good as in a museum.” That, of course, is questionable since no app can truly replace a museum experience, and in our quest for high definition, one often forgets that life itself is free of pixels. We do not need an iPad to see the world, let alone artworks. Nevertheless, the increased resolution can only serve to improve the quality of apps such as Art Authority.

As for the apps that have not yet upgraded, the results are mixed. In an article in PC Magazine, the author stated that with the higher resolution screen, the New York Times app “appeared noticeably crisper” but the Wall Street Journal was somewhat distorted. The same sentiment was echoed in Mercury News; “Not everything looks better. Apps designed for the lower-resolution screen on the old iPad look less sharp on the new one.” Thus apps designed specifically for the older iPad will most likely need to be upgraded for a seamless, pixel free viewing experience.

So does the new iPad truly create a window of opportunities for art apps? Not necessarily, because the higher resolution doesn't augment the in-museum experience; one need only look up at the artwork displayed in the gallery to see it in all its detail. As such, apps for smart-phones, (where pixilation is besides the purpose) will remain the primary area of research when it comes to creating an active and participatory museum experience. What could, however, benefit from the new iPad is the in-home experience. With the higher resolution, apps such as Artfinder’s George Inness in Italy could be explored with a touch of retinal magnificence. Additionally, sites such as the Google Art Project would be even more staggeringly detailed! It’s a pity that there isn't an app for Google Art Project as yet!

With more and more app developers upgrading to the newer resolution, the digital world of the iPad will surely emerge as sharper, clearer, and more inviting. But let’s hope we won’t lose ourselves, along with our sense of sight, in its stunning display, and will remember to look up at the world, at real life, from time to time. Maybe give our retinas a glimpse of the horizon or better yet, a piece of art!

Facebook, Alternative Bands and Acoustic Sessions @ the MFA

To me, this just about sums up the 21st century Millennial: Facebook invitations, exclusive access to acoustic sessions, alternative bands, behind the scenes privileges, access granted only through social media and a little culture via the fine arts. To what pray tell could I be referring? Why, Boston’s Museum of Fine Arts’ (MFA) partnership with radio station WFNX, of course. Since May 2011, the MFA Boston has been showcasing nationally acclaimed acoustic bands in its galleries. Each month, an alternative band and 35-50 lucky winners are selected to participate in the exclusive Acoustic Sessions series.

How does one get selected to attend? Here’s where the Millennial wins. The concerts are announced on the MFA’s Facebook page and live on WFNX Radio (tune in on 101.7 FM in the Boston area). Interested followers can submit an entry form on the MFA’s Facebook page or call in to the radio station to be selected.

How does it work? The MFA’s upcoming Acoustic Series concert on March 27th is advertised on its Facebook page in the following post:

The MFA and WFNX have teamed up to present some of the best alternative bands, live in the galleries and Kasabian plays next on March 27. You can only see them by “liking” us and entering to win tickets here or listening to WFNX.

According the program’s press release, the artists perform in various galleries- from the European Paintings to the Contemporary American Art room. Their performances are sound and video recorded. They are then shared online, both on the MFA’s Facebook page and WFNX’s webpage.

Just when you thought it couldn’t get any more Millennial friendly, the MFA throws in this added exclusive- the performing musicians’ participate in the Museum’s “Art We Love”

program. The musicians select their favorite work of art in the museum, explain why they chose it or its significance to them and are then photographed beside the work. The photographs are uploaded to the MFA’s Facebook page for all to enjoy

and explore, providing unique insight and exclusive information on the musicians.

It is a perfect example of how the collaboration between social media, the visual and the performing arts can enhance the public's artistic experience and engage even those difficult Millennials. Originally from the Boston area, I am proud to share the MFA’s innovative programming with those from away. But I am sure other museums and galleries are up to similar projects. What other museums and galleries have similar, or completely unique, social-media driven, collaborative programs?

Creators Project in San Francisco

Last weekend the Creator's Project garnered significant attention from national media.  From the mission statement on the website "The Creators Project is a global celebration of art and technology." and "The Creators Project is a new kind of arts and culture channel for a new kind of world."   As an intersection between art and tech it seems appropriate that the blog weigh in and take a look at what they did, how they did it, and the implications.  The Creator's Project has major sponsorship from Intel Corp and VICE with significant online free content focusing on mostly short form interview of Creator associated artists.  This Project offers similar promise to other ventures to offering culture and arts online to ideas such as On The Boards TV and Jacob's Pillow Virtual Pillow but is already operating on a much larger scale than either of these.

The Creators Project offers arts and culture online at a scale that is extraordinary for such a young institution.  The levels of participation on information sharing that is happening through their website looks unparalleled and should be looked towards as a model for successful integration of technology and the arts.   The Creators Project was started in May of 2010 by VICE and seems to have two major interfaces with the public.  There is a exhibit/show that has toured around the world each year and an expanding web presence that now counts video downloads in the millions.  The content is broken out into six different categories:  Music, Film, Art, Design, Gaming, and Fashion and has engaged with artists from all of these areas to provide content online and for the annual festival.  They will be rolling out content collected from the event last weekend (March 17-19, 2012) in the coming weeks.

Current content on the website is a mind blowing array of new directions taken by artists in each of the fields.  One of the standout artists at the event last weekend was a new work from visual multidisciplinary artist Chris Milk.  The installation called the Treachery of Sanctuary incorporated user interaction with digital transformation to look at elements of flight.  Visuals of this can be found here.

Anther fascinating example that was found on the Creator's Project website was the Electronic Shadow from France.  Electronic Shadow uses imaging technology and software to generate interactive 3D maps of people places and objects.  These images then can be used and manipulated in artistic fashions.  The implication for this technology would, for instance, be a game changing one for other art forms such as dance.

Exchange of ideas such as Creator's Project bring together the bleeding edge of Technology and the Arts and as such should be a point of engagement for institutions that are looking to modernize and include new audiences (and younger audiences).  The artists involved have obviously successfully engaged these audiences already and by following the lead of these success stories arts leaders at more conventional organizations can find hope in a new direction in reshaping structure and content to address the demands of a more complex world.

The Role of the Arts in Economic Development

As it pertains to funding for local arts projects, the past few years have not been too kind to the arts community. Budget cuts, austerity measures and changing priorities have meant less funding, and with it less jobs for artists and fewer arts opportunities and events for communities all across the country. As the economy starts to grow (slowly) and optimism about future growth increases, state and local budgets are facing smaller budget deficits and the increasing likelihood of budget surpluses in future years. With these new resources comes the decision over how to spend resources in the best possible way to stimulate growth.

In recent years, the National Endowment for the Arts (NEA) and other groups have given out millions of dollars in grants to local arts groups to help foster economic growth and assist arts communities in struggling areas of the country. As the money available to these groups continues to grow, and cities and states pondering the decision to invest again in the arts, the question is: what role do the arts play in economic development, and how vital is it to future growth?

I have written before about the tough budget constraints that governments are dealing with at the local level and the pressure this is putting on existing arts programs. Unlike the federal government, cities, counties and states are often required to balance their budgets on an annual basis; if sales tax receipts or other forms of revenue are down from the year before, as has often been the case during this economic downturn, governments have to turn to existing programs for cuts or outright abolition. With tax increases politically unfeasible, it’s often the most vulnerable programs that face the chopping block, and this includes the arts community.

Those of us who study public policy and urban planning are cognizant of the effect the arts can have on a city or neighborhood. As much as art enriches our lives and provides a sense of culture, the economic impact is minimal; this is not to take away from the arts community, but is rather meant to illustrate the larger forces that are required for long term economic growth, like housing, higher education, health care and free trade.

The Next American City recently looked at an example of a rust belt city facing tough economic times, Detroit, and how the arts community is helping bring the city back. Through the help of groups like the NEA and ArtPlace America, Wayne State University launched the Detroit FAB Lab, a hub that provides artists with access to equipment and tools for their artwork, like metalworking and woodworking, as well as mentoring services like business coaching and networking. In essence, it provides a community for artists to come together and share their work, their advice and their love for the arts, all with the backing of community grants and support.

Few cities are in need of support like this more than Detroit. Designed to help support the struggling manufacturing base in the Motor City, the grants provide a small step in the overall push to diversify and grow Detroit’s economy as it starts to come back from the recession that took such a toll on the city’s population and well being.

The millions of dollars in funding that are being given out by groups like NEA and ArtPlace also present a series of questions: is this money well spent? If the goal of the money is to spur economic development and growth, is it better spent elsewhere?

We can all agree that funding the arts is crucial to fostering community and culture in cities all across the country. But is absolutely crucial to long term economic growth? That’s where it gets tricky: the list of public policy measures that rank above the arts community is quite long. If given the choice between an artistic redevelopment project and a new hospital or transit station, the physical and transportation needs of the city will win out.

But, as cities and municipalities invest in infrastructure, public services and needed resources, it’s always important to remember how the arts can add to the benefits being accrued. A city with no culture, no life, and no sense of vitality is vulnerable to losing out on the same kind of economic benefits that were desired when public officials decided how to spend resources in the first place. Investing in roads, schools and infrastructure is absolutely essential to an area’s long term economic growth; however, without a vibrant and committed arts scene, the desire of residents and tourists to experience the best of what the area has to offer will be diminished.

There are numerous examples of cities and local governments taking the time to invest in areas of their community and developing art districts. In my home town of Phoenix, the burgeoning Roosevelt Row district is home to First Friday art walk events and galleries showcasing the vibrant culture alive in the city. Other districts in Miami, Pittsburgh, and New York have also popped up in recent years to add vibrancy to formerly struggling areas of their respective cities.

As a policy priority, you will get no argument from me that the arts community ranks behind the essential public services that so many people rely upon on a daily basis. However, good public policy recognizes that the right balance, which involves providing those services and setting aside funding for arts programs that encourage innovation and creativity, along with providing a sense of culture for a given community, is preferable.

As ArtPlace America states, “art creates vibrancy and increases economic opportunity. It is all about the local.” We could not agree more.

Sweet Pantone Tarts

Spring seems to have sprung here in Pittsburgh, and having a week off on spring break makes everything seem lovely. It is under that guise I present this post to you purely for aesthetic reasons. Emilie Guelpa is a French artist/blogger/chef who has created these masterful (et très mignon) tarts inspired by Pantone colors. While I can totally imagine eating them in the café of an art museum, they were created for the magazine Fricote and posted on her blog Griottes. While the blog is currently French only, Guelpa promises an English translation version very soon. In the mean time, you can check out her Pinterest and dream about delightfully colorful tarts.

Well, that’s all I’ve got. I hope you have a great weekend planned and nice weather to enjoy it!

Cowbird, Balloons of Bhutan: Jonathan Harris and Real Life Storytelling

In the mountainous kingdom of Bhutan, nestled between China and India, happiness is no small measure and it’s surely not immeasurable. While its neighbors are under constant scrutiny for economic growth, the kingdom of Bhutan has opted, among other factors, to measure its growth in the well being of its people. As early as 1972, erstwhile King Jigme Singye Wangchuck introduced the concept of Gross National Happiness (GNH), and in 2005, the Royal Government of Bhutan “made the decision to develop GNH indicators in order to move the concept of GNH from the point of academic discourse to a measurable one.”

The government “developed a detailed questionnaire” that measured key areas such as “psychological well-being, health, time use, education, culture, good governance, ecology, community vitality and living standards.” The results of this survey can be found on their website, but it suffices to say that the prayer flags in Bhutan flutter with the happiness of its peoples!

A few years later, in 2007, Jonathan Harris, an artist who combines “elements of computer science, anthropology, visual art and storytelling” set out to measure Bhutan’s happiness not in percentages, but in balloons!

Balloons of Bhutan chronicles his two week journey through Bhutan where he interviewed a 117 people and asked them how happy they were on a scale of one to ten. He would then proceed to give them the number of balloons corresponding to their happiness level, and thus increasing that happiness, if only temporarily. Harris’ interviews  provide an insight into the stories of each of these individuals; their identities, their happiest memory, their favorite jokes, and their wishes. In the end, he wrote down each person’s wish on a balloon in a color of their choice. Each of those balloons was “strung up at Dochula, a sacred mountain pass at 10,000 feet, leaving them to bob up and down in the wind, mingling with thousands of prayer flags.”

The website for Balloons of Bhutan, wherein lie a 117 short stories, provides a glimpse into moments of happiness and into the life and culture of Bhutanese people.

Stories rooted in reality and “collected in some unconventional ways” have always held Harris' fascination. In a TED talk in 2007, Harris spoke of his desire to eliminate the role of the narrator in his stories. One such example is his project titled The Whale Hunt, where he “spent nine days living up in Barrow, Alaska, the northern most settlement in the United States, with a family of Inupiat Eskimos, documenting their annual spring whale hunt.” The entire story-line can be divided into sub-stories based on context, characters, color, and moments of excitement and lull (a timeline akin to a heartbeat graph).

Another, more recent, of his projects centered on the idea stories from life and even crowd-sourced journalism is Cowbird, a place where people can “keep a beautiful audio visual diary” of their lives through stories.

“Our short-term goal is to pioneer a new form of participatory journalism, grounded in the simple human stories behind major news events. Our long-term goal is to build a public library of human experience, so the knowledge and wisdom we accumulate as individuals may live on as part of the commons, available for this and future generations to look to for guidance.”

On Cowbird, these stories can be categorized and read in numerous ways; by sagas or major news events, topics, cities, countries, tags, and people. If you enjoy creative writing, Cowbird is a neat way to share stories with the world and transform the site into a collective “witness to life.” Many will agree that social media content on sites such as Twitter or Facebook can, at times, lack forethought, even originality. (Yes Facebook ask us what’s on our mind, but if the posts on Facebook are indeed indicative of humanity’s contemplative tendencies, we may just be in trouble). Thus Cowbird is different in that it encourages thoughtful sharing of personal musings and ideas.

Jonathan Harris is an undoubtedly novel storyteller, but he desires more than an audience that will listen, he desires one that will engage in storytelling. He has built the foundations of a world that can be interconnected through stories that are his own and more importantly, theirs, the worlds. It is through these stories that we can listen in on a Bhutanese shop keeper talking about her love for Korean television or experience the melancholic evocation of an Islamic prayer call in old Jerusalem while overlooking the Great Dome of the Rock.

The Cloud

Moving your organization's data to a cloud server might be a good idea at this time.  There are several advantages to working off of a cloud server and a few drawbacks. Some advantages to going to cloud computing:

Accessibility is generally improved through cloud storage.  You can access data from anywhere that you have internet access.

Security on cloud storage services is up to the standard of where ever you have your cloud.  Google and Amazon have some of the best experts on digital security in the world for instance and using a cloud operated by them gives you a greater degree of safety for your data.

The Capacity of cloud storage is very flexible and is expandable with comparative ease.  The fact that cloud storage servers will never need to be upgraded or replaced does save you capital expenses as well as man hours.

The downside:

You don't own it and you have to play by someone else's rules.  If you are using a smaller company, please, make sure to check out their backup plans, security measures, and records regarding downtime and maintenance schedules.

It may be hard to use cloud servers with certain types of databases or other programs and as such may present an integration issue (ticketing systems, development programs, etc).  Make sure you have a plan to get the information from point A to point B if necessary.

In event that you don't have access to the internet you are completely cut off unless you back up to a physical source onsite.  It can be distressing for obvious reasons if your internet service goes sideways and you end up with multiple idle employees until it is restored.

Festivals Galore!

As the month of March rolls on, and the weather starts to warm up, two things immediately come to mind: vacation, and festivals. The gang here at Tech in the Arts is on spring break this week, so expect a lighter posting schedule as we take a (well deserved!) break from our studies. Having said that, I wanted to briefly check in and point out two festivals happening this week that are highlighting some of the best and most creative technology and arts projects occurring from across the country.

The first, South by Southwest, or SXSW for short, is currently underway down in Austin, Texas, as anyone with a Twitter account is well aware of by now. Having grown massively in size over the years, the show is divided between three festivals: film, music, and interactive. The interactive portion, including keynotes, speakers, presentations, shows, parties, events and so much more (it really is a sight to behold) is taking place this weekend and ends tomorrow, the 13th.

Tech in the Arts is live down in Austin covering the action; you can follow our Twitter feed (@techinthearts) for live updates and recaps of SXSW events, including the big bash that Carnegie Mellon held this weekend, along with one of our staffers, Terry Boyd, who is tweeting from his personal account (@boydleservice). We all wish we could be there this weekend, but those two accounts are representing us well!

We’ll also have a wrap-up of all the great action at SXSW following the conclusion of the festival, so stay tuned for that.

I’m typing this from beautiful San Francisco, California, and the second festival I wanted to mention is the 3rd Annual Creators Project, taking place this upcoming weekend (March 17th-18th) here in the Bay Area. Sponsored by Intel and VICE, the festival seeks to bring together the best of art, music and is “dedicated to supporting artists in realizing their creative visions through technology.” In addition to the works of art on display, there will be performances by the Yeah Yeah Yeahs, James Murphy, and Squarepusher.

The best part of the festival? It’s free with an RSVP! So if you’re in the Bay Area this weekend, definitely check it out.

Even if you can’t make it to either Austin or San Francisco this week, stay tuned as we’ll be posting follow ups to both exciting festivals and highlighting the best art and technology trends coming from both.

Pinterest 101 for Arts Organizations [mini-nar]

Pinterest is the latest and greatest in social media, we've talked about it before, and it just reached 10 million unique hits in a month, the fastest independent website to ever attain this lofty title. Every blogger with access to a data set out there is looking at the demographics of Pinterest, but what can a visually based social media do for your organization? This Mini-Nar is going to take a look at some of the basic functions of Pinterest, as well as how some arts organizations are maintaining and utilizing their Pinterest accounts. http://youtu.be/JZKgsWlU6Uk

Check out these Pinterests from the video: the San Francisco Museum of Modern Art, the San Francisco Ballet, the Arts and Business Council of Greater Philadelphia, and Lionsgate Be Fit. Some of the demographic data I referred to came from Tech Crunch.

What do you think? Is Pinterest something you'll consider using - or do you already utilize it? Comment on this post and let us know!

TEDxCMU: Ideas for the Arts!

The premise of a TED talk is wonderfully simple; an idea, a good idea, can be captivating, inspiring, and even revolutionary! At CMU, this past Sunday, it was the reinterpretation of an idea that took center stage at the independently organized TED event. There were a total of 12 speakers who gave talks on everything from sodium ion batteries to self-love manifestos, from neuroscience and classical music to the history of comic strips! It may have been snowing outside, but within the auditorium, there was neither a flake of disinterest nor a gust of sighs.

 

And as serendipity would have it, many of the speakers addressed (even performed!) topics that directly related to the performing and visual arts!

The talks began with Matthew Manos, the founder of the social graphic design firm, a verynice design studio. Manos spoke of about his desire to help not-for-profits through design services but knew that his company would need a sustainable business model; not necessary a for-profit model (thus becoming like all the other design firms), and neither a not-for profit model (he would need help to help!).

It was the idea of social entrepreneurship that helped him realize a model where he would operate as a for profit design firm that would “dedicate over 50% of its services to pro-bono design". As of now, the firm states that it has “provided $250,000 worth of pro-bono design and consulting services in 6 continents to 125+ clients thanks to our team of 60+ international volunteers.”

According to Manos, organizations that rely on fundraising would fare much better were they to operate on the model of a social enterprise. This would help free up time spent in areas such as grant writing and development, allowing an organization to focus on its mission and core activities. As you may have read, Telemarketing was swiftly killed by one of my colleagues, perhaps the entire field fundraising needs some re-interpretation?

But apart from fundraising, a product that clearly requires some re-thinking is powerpoint! Bohannan’s talk is intriguingly titled A Modest Proposal: Dance vs. powerpoint.  Although John Bohannan’s talk was filmed in Brussels, it was shown to the audience via video, and it was absolutely compelling!

According to him, it’s time powerpoint was replaced by interpretive dance. And no, he did not use any slides, pointers, or smart art graphics to make his case. If you haven’t seen it already, see it! See an idea gracefully unfold itself in 18 minutes! For words are static, devoid of the essence of rhythm. They cannot explain what Bohannan so clearly demonstrates using dancers, using the “human body in motion”!

Bohannan is also the creator of Dance your PhD, a contest where PhD students in the field of science present their research using dance. On the contest’s website, a dance inspired by the roaring twenties explains the “Plant Community and Ecosystem Effects of Drought in the Pinon/Juniper Ecosystem” Or how about “Cosmological Simulations of Galactic Disc Assembly” where the “dance starts with a bang, a Big Bang.”

But let’s saunter back to TEDxCMU, and to the talks, where it was the fields science and music that had been dancing to a complicated waltz, and at times, a three step cha cha cha!

One of the inspiring speakers at the event was Stephen Neely, “an Artist Lecturer of Dalcroze Eurythmics” at CMU. According to Neely, the physicality of music appreciation is more important than its cerebral aspects. He compared the feelings experienced when listening to music as those of a child sitting on a swing; an undulating movement between moments of heaviness and moments of weightlessness.

Furthermore, Neely spoke about the difference between what is considered to be art vs. that which is artful. In music, the performance only becomes artful when the audience interacts with the performer, identifies the move from weightlessness to heaviness. And the success of a musical piece depends on its ability to enable the audience to experience an “authentic forward motion” through these phases.

To continue on the complexities of music appreciation, the comprehension of classical music was the core focus of Ardon Shorr’s talk. Shorr is “currently pursuing a PhD in Biology” at CMU and he spoke wonderfully about his idea of “unlocking classical music with neuroscience.” Shorr said that classical music is inherently difficult to follow but it could become easier, and more enjoyable, if we were to visualize “how music is organized” and learn the “shape of symphonies.”

According to him, there is inherent structure in compositions and instead of trying to memorize each and every phrase, it would be easier to group them. He plans to build an interactive website where people can come together and begin to appreciate the virtuosity of Mahler’s symphonies.

In all, TEDxCMU was a great day for the re-interpretation of ideas. Among the audience, many a light bulb of inspiration flickered, eventually becoming brighter as the event progressed.